
is exactly what it sounds like it is
Moderator: Ghost Hip



Deals:friendship wrote:You motherfuckers think I won't fuck up a couple octoroks and assemble the Triforce?

Eivind August wrote:should've been pink.

Yeah I feel that.frigid midget wrote:I hate to be that guy...
But the regular CC would've been THE delay pedal for me if it were just a tad less dark. If this new one sounds super bright it's not for me either
Which is why I'm a fan of analog delays that have a tone control that allow you to dial in the color of the repeats.
rfurtkamp wrote:The only transparent thing I own is a set of drinking glasses.


I've never found tap tempo necessary.oscillofuzz wrote:Not to comment on the quality or anything, but how can anyone live without tap tempo on a delay pedal?
Deals:friendship wrote:You motherfuckers think I won't fuck up a couple octoroks and assemble the Triforce?

What kind of time signatures do you play inEivind August wrote:I've never found tap tempo necessary.oscillofuzz wrote:Not to comment on the quality or anything, but how can anyone live without tap tempo on a delay pedal?
On analog delays, my Maxon AD-9 is by far my favourite. Would love to try an old DMM though.

Deals:friendship wrote:You motherfuckers think I won't fuck up a couple octoroks and assemble the Triforce?

Dave Knudson it is you!oscillofuzz wrote:What kind of time signatures do you play inEivind August wrote:I've never found tap tempo necessary.oscillofuzz wrote:Not to comment on the quality or anything, but how can anyone live without tap tempo on a delay pedal?
On analog delays, my Maxon AD-9 is by far my favourite. Would love to try an old DMM though.![]()
Or do you mostly use short delay times and/or few repeats?

D.o.S. wrote:I'm fucking stupid and no one should operate under any other premise.

Yeah the color iskbithecrowing wrote:Not too into that color though (picky picky me).

When it comes to the voicing of the repeatsn the DM-3 is actually the absolute perfect delay for me, such great mushy juicy sound from that pedal. Right like I want em too, not too dark or wobbly or whatever either. Could afford to keep it AND also buy an analog delay that has tap tempo and longer delay times. I'm using an ES-2 these days. Not nearly as good soundng as the DM-3, but the DM-3 is just a bit too no-frills for my delay needs. Never had the chance of seriously messing with a dmm. A big box version would be pricey, and it's too fucking huge for my pedal boardrustywire wrote:Yeah I feel that.frigid midget wrote:I hate to be that guy...
But the regular CC would've been THE delay pedal for me if it were just a tad less dark. If this new one sounds super bright it's not for me either
Which is why I'm a fan of analog delays that have a tone control that allow you to dial in the color of the repeats.
I'm wondering how prone this new one will be to clicky/chirpy oscillation. If only both dark+bright versions had external modulation controls.
Also, far as analog delay voicing goes...if you haven't already...check out a DM-2 or DM-3. Or my personal favorite, the big box DMM.


I have no use for tap tempo and play all sorts of polyrhythmic stuff. I find if the delays are sync'd they get lost in the mix. And dotted eighths can bite my reptilian ass. I have one delay set for around 400ms and the other around 700 (from memory).oscillofuzz wrote:What kind of time signatures do you play inEivind August wrote:I've never found tap tempo necessary.oscillofuzz wrote:Not to comment on the quality or anything, but how can anyone live without tap tempo on a delay pedal?
On analog delays, my Maxon AD-9 is by far my favourite. Would love to try an old DMM though.![]()
Or do you mostly use short delay times and/or few repeats?
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