Mmm, all the prog and fusion jazz bass players like Jonas Hellborg may seem to some of the metal scene people far out. And all the spaghetti western and horror movie soundtracks I listen to. Shitload of classical music composers like Bach, John Dowland, Igor Stravinsky... And the old analog synthesizer stuff.
I agree with Gearmond, keeping to a genre and to the genre bands for influence can be terribly restricting, at least I can't see that helps sounding interesting.
:::: Metal up Yöur Jazz! with FUZZIFERblack psychedelic doom ::::
Ugly Nora wrote:It's a sad day when Bassus Sanguinis becomes the voice of reason.
Blackened Soul wrote:I do get your point, but I think that as a musician one is influenced by almost every thing they hear either in a good or bad way
Daniel Higgs (Lungfish) said something similar once (or maybe more than once, I wouldn't have a way to verify that). He said that everything he every heard was an influence even if he didn't like it. He said there are things he hears that he knows he must avoid, and things he hears that he wants to emulate.
Nora
Interestingly, I'd say Higgs's solo work is something I hear that I feel like I must avoid.
Welcome to ILF!
You should say something to him.
I'd be scared to.
psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
…...........................… Sweet dealin's: here "Now, of course, Strega is not a Minimoog… and I am not Sun Ra" - dude from MAKENOISE #GreenRinger
Years and years ago, my wussy indie band had a drummer drop out the week before a show. Luckily, a friend who was mainly a funk/jazz drummer subbed. It shouldn't have worked, but it did. One of my favorite moments was when we were explaining one song's structure, and there was a weird part that wasn't a verse, chorus, bridge, or major key change. After us struggling to explain its significance, my friend piped up from behind the kit, "That's where the horns would come in!" and he was right. If we'd had horns, that's where they'd have come in.
So now, even though I never write for horns, I always try to listen for where they'd come in to one of my songs.