oinkbanana wrote:don't be a wuss I play a baritone into an orange stack and into an SVT stack. (recently switched the 810 for a berg NV412, but my presence in the lowss has only increased.) fight fire with fire! just get a pair of 18", or two 810's. this thread is an appreciation for low frequencies. lets not fuss over who's giving it!
That sounds massive! I still dial in those bass toanz for the doom. The muffy bass frequencies punish the listener from both the guitar and bass amp; there is no other way. Forgot dialing down the bass...20 hz or lezz 4 lyfe!!
^now this sounds like a party if i managed to find a bass player who was as bad as i am or who appreciated my lack of talent and urge to create thunder id definately cut my rig in half and focus more up high shits gotta rumble though either way were tryin rattle bones in my house not get our boogiewoogie on "and thats why you will suck alone forever"says they "i could giva a fuck"says me
I love clonky middy bass - Billy Gould's bass sound is the best I've ever heard. And in fact, I really like the relationship his bass tone has with the guitar tone as well - they do the separation thing well. As tempting as it is to bring earth shattering bass with my guitar I don't like doing it because it just shits out the mix. Bassist brings the bass. (and clonky awesome mids!)
Gone Fission wrote: ↑Thu Oct 24, 2024 2:21 pm
That’s quarter-assed at best.
I like when lows are really deep and full and juicy, I hate that boomy gross wooly sound. Bass is pretty tricky for me because it can get really overwhelming quick. I've been to a lot of shows where the sound guy just puts out a ton of lows and I can't hear any vocals or melodies or anything, just a bunch of rumble. sounds bad
