Jwar wrote:I dunno man.
IMO the gear industry has kind of ran out of good ideas and it's not their fault. Shit has just been done to fucking death. So, there's a lot of pedals that get released these days that feel kind of incomplete to me or that people try and one up the weirdness. I kind of lost interest in weird sounds because of how many other people are doing it now. LOL. It feels so fake to me. Like the whole boutique world was swept up by corporate fucks or something and we are stuck in a twilight zone episode where everyone will continue to release the same variations of pedals until the matrix finally breaks.
These days I buy simply to try something but the weird shit annoys the fuck out of me most days so I'll buy your average stuff. I hate most of the odd shit now. It makes me mad for some reason. Like no one wants to play their goddamn instruments anymore which is weird and scary to me and I want to shake my fist at the sky and scream.
This year I predict a step back from crazy effects but I'm probably wrong.
This.
A good decade or so ago the pedal market exploded, and somehow we ended up with such a huge offering of aweseome weird pedals that everyone's spending 1000s of dollars on glitchy/synthy/whatevery pedals, and the vast majority of the owners never get out of their bedrooms and basements, let alone to perform something that an audience is more shocked or impressed by than they used to be back in the pre-booteek days.
It's not like a ton of mind blowing new guitar bands and artists have popped up thanks to chase bliss and strymon...There's just a lot more youtube demos and online reviews out there than there used to be
Midi programmable patches or internal swicthes for subtle tone changes, having 8 different $200 fuzz pedals on a single pedal board...That's all a big deal for us pedal nerds, but that stuff isn't what makes or breaks a good recording or gig.
Not to get too soap boxy here, I guess I'm just predicting the end of this overly awesome trend. I could be wrong, but I'm guessing we've reached the summit of glitch/filter/synth/shimmer effects, and overly tweakable pedals in general. I'm still a punk at heart, maybe that's why I'm secretly nostalgic for the fugazi/slint type of approach, and wouldn't mind a world with less untalented Nick Reinhart Omar Roddriguez wannabes obsessing over their gigantic pedal boards
Semi drunk here, don't mean to offend anyone
