UglyCasanova wrote:
Purple cable (R IN) is coming from somewhere else. The rest are outputs.

Moderator: Ghost Hip

UglyCasanova wrote:
Purple cable (R IN) is coming from somewhere else. The rest are outputs.



UglyCasanova wrote: Here, clocking on the seq (blue cable) is going somewhere else. The purple cable threw me off at first, but it's just wrapped around the back of the system.


Hey. I see the blue and orange cables from Channel going off somewhere else. It also looks like the purple cable from Mental goes on to the Euro in the back. I see similar things in the other videos. It says in the indiegogo that "no external effects or processing have been used." Just wondering if you could clarify what's going on with cables that come/go elsewhere in these demos. Thanks!


popvulture wrote:Nothing is truer bypass than the void.
multi_s wrote: i want something that gives my third eye a rim job.


Invisible Man wrote:do something selfish and live a little.



This is essentially why I'm not interested. I don't want something that's presented as an infinite universe shrowded in mystery that I'll never fully understand. I want clear definitions, labels, the ability to pair/play/sync/whatever easily with other gear and isn't going to die if I sneeze on it.Ruiner wrote:They are fairly fragile.. i personally wouldn't want to use this live but for experimentation and exploration it's a perfect method due to the insane amount of possibilities it gives you.01010111 wrote:Those tiny wires look like a pain. But other than that this looks like the best thing folktek's ever made.

Fair enough, but everything i've used from them has been a super solid build. The small wires can slide out if you pull them or knock them while inserting others but not from a sneeze or even a nudge. What it provides is more powerful IMO but i am happy my Triad came with two breakout boxes where i no longer have to use the breadboards if i don't want to and it attaches to a standard patchbay. Either way, from what you want, you're right, this isn't for you IMO. I love the experimentation portion of it. I'm not trying to find the same sound a second time and i want near infinite possibilities that inspire creativity so it is for me. YMMV01010111 wrote:This is essentially why I'm not interested. I don't want something that's presented as an infinite universe shrowded in mystery that I'll never fully understand. I want clear definitions, labels, the ability to pair/play/sync/whatever easily with other gear and isn't going to die if I sneeze on it.Ruiner wrote:They are fairly fragile.. i personally wouldn't want to use this live but for experimentation and exploration it's a perfect method due to the insane amount of possibilities it gives you.01010111 wrote:Those tiny wires look like a pain. But other than that this looks like the best thing folktek's ever made.
Folktek's always failed on all those things, but this is the closest they've gotten for me. Honestly, I think most of their devices would be effected if you gave them a good sneeze. That's my two cents. I'll stop complaining. I'm sure this is going to be an excellent, fun, little noisemaker. It's just not for me.


On my phone, but insert picture of Peter Falk from Der Himmel Über Berlin here.jwar wrote:What if it was just like a massively complex mixer or speaker and all the effects were coming via radio frequencies from aliens in outer space man?
Deals:friendship wrote:You motherfuckers think I won't fuck up a couple octoroks and assemble the Triforce?



jwar wrote:What if it was just like a massively complex mixer or speaker and all the effects were coming via radio frequencies from aliens in outer space man?

