Moderator: Ghost Hip
Yeah, that meet maude is one of my favorite delay's I've heard.Ev_O))) wrote:Fuck contrast. This and my Meet Maude could be the Lo-Fi boner inducing combo of my dreams.
Hey D, just curious, how do you set up your stereo chain. Do you share part of your chain (like the drive / mod section) and then split it up for different delay, reverb, etc on each side or do you have two totally different chains going into each amp?DRodriguez wrote:Yeah, that meet maude is one of my favorite delay's I've heard.Ev_O))) wrote:Fuck contrast. This and my Meet Maude could be the Lo-Fi boner inducing combo of my dreams.
I can't wait to run this thing in stereo. Tonal Recall on one side, Space Echo on the other.
It really depends. I have a few ways of doing it. Most often, I'll just use 2 entirely different chains. Because I tend to do one chain very dirty, and one cleaner for definition. Sometimes I'll have one side doing something rythmically interesting, blended with the unbroken tone. The gravitas is great for that. If I want to share a pedal between the chains, I'll put it pre a pedal with dual outputs, most often a dirge soda meiser with dual outputs. Every once in a while, when I'm feeling silly, I'll use that to get 3 chains and join 2 of them at the space echo. This rarely sounds good.Ruiner wrote:Hey D, just curious, how do you set up your stereo chain. Do you share part of your chain (like the drive / mod section) and then split it up for different delay, reverb, etc on each side or do you have two totally different chains going into each amp?
Sounds fun! I have the two amps... just waiting on finding at 70's Hiwatt 4x12 with Fanes to match my '73 DR-103. Can't wait to go stereo but can't find a break on a cab like that to save my life.DRodriguez wrote:It really depends. I have a few ways of doing it. Most often, I'll just use 2 entirely different chains. Because I tend to do one chain very dirty, and one cleaner for definition. Sometimes I'll have one side doing something rythmically interesting, blended with the unbroken tone. The gravitas is great for that. If I want to share a pedal between the chains, I'll put it pre a pedal with dual outputs, most often a dirge soda meiser with dual outputs. Every once in a while, when I'm feeling silly, I'll use that to get 3 chains and join 2 of them at the space echo. This rarely sounds good.Ruiner wrote:Hey D, just curious, how do you set up your stereo chain. Do you share part of your chain (like the drive / mod section) and then split it up for different delay, reverb, etc on each side or do you have two totally different chains going into each amp?
Awesome. I just use rack mounted amp emulation these days. Hard to beat the convenience for home use. Plus tracking is so much nicer when I can record clean and tweak the amp later. Though Science amps had been calling my name.Ruiner wrote:Sounds fun! I have the two amps... just waiting on finding at 70's Hiwatt 4x12 with Fanes to match my '73 DR-103. Can't wait to go stereo but can't find a break on a cab like that to save my life.
The first step is admitting you have a problem...jwar wrote:I know I know. The boner thing.
https://en.m.wikipedia.org/wiki/Priapismfever606 wrote:The first step is admitting you have a problem...jwar wrote:I know I know. The boner thing.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
Blasphemy, everyone needs the boners!Hyphen Nation wrote:I need this thing...the pedal...not the boners.
Invisible Man wrote:Strange Tales: putting the ‘weeb’ in ‘dweeb’ since whenever.
