“Motionless” Chorus Pedals
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- Blood_mountain
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“Motionless” Chorus Pedals
Yo! I have found that the only chorus I really dig is the “motionless” type, like the Boss Dimension-C and TC Electronic 3rd Dimension.
Are there any other awesome pedals out there that do this sound well?
Are there any other awesome pedals out there that do this sound well?
- backwardsvoyager
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Re: “Motionless” Chorus Pedals
also a fan of this sound and my pick would 100% be the Iron Ether Polytope.
the filter and blend controls make it possible to not sound totally out-of-tune in an ensemble even with really extreme detuning, and the LFO can be dialed out completely if you want.
it's a shame they're so hard to get, now.
the filter and blend controls make it possible to not sound totally out-of-tune in an ensemble even with really extreme detuning, and the LFO can be dialed out completely if you want.
it's a shame they're so hard to get, now.
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Re: “Motionless” Chorus Pedals
Maybe a Rainbow Machine with the pitch knob around noon?



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Re: “Motionless” Chorus Pedals
Dimension chorus actually has motion but it isn’t obvious for a few reasons. First, there are two voices that are driven by the same LFO, but one gets an inverted version. When one is at peak upward shift, the other is at peak downward shift. And similarly, the pitch changes offset when they are just off pitch from the dry signal. The LFO is also a much cleaner wave form than in a CE-1 or 2, so this is done very evenly. There’s also some eq tricks going in, but the basic thing is that it sounds more like pulsing widening of the dry signal than a wobbly double added on.
(Early demos of the 3rd Dimension sounded broken to me, like something was really off that you need for that recipe to work. So I would be wary of that one.)
On a similar logic, even if not modulating, you can hide detune better if you balance + and - voices, and keeping them within 9 cents of the source also helps on subtlety. (The big letdown of the Digitech Luxe was that it only has one detune voice, so not the pick for this approach.) Not that one voice doesn’t give you some good sounds, they’re just going to be more apparent to the ear.
(Early demos of the 3rd Dimension sounded broken to me, like something was really off that you need for that recipe to work. So I would be wary of that one.)
On a similar logic, even if not modulating, you can hide detune better if you balance + and - voices, and keeping them within 9 cents of the source also helps on subtlety. (The big letdown of the Digitech Luxe was that it only has one detune voice, so not the pick for this approach.) Not that one voice doesn’t give you some good sounds, they’re just going to be more apparent to the ear.
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- backwardsvoyager
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Re: “Motionless” Chorus Pedals
I've had one of these as well as an original DC-2, and the 3rd Dimension is definitely missing something in comparison.Gone Fission wrote:(Early demos of the 3rd Dimension sounded broken to me, like something was really off that you need for that recipe to work. So I would be wary of that one.)
Having said that I don't think the DC-2 is that worthwhile either because of the weirdly low input headroom. The Waza version seems more useful.
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Re: “Motionless” Chorus Pedals
DUDE. This is my taste as well. The pedal that does it the best for me is a Mooer Pitch Box set to Detune. Trve bypass, plus you get all the other pitch shifting capabilities. Don't be fooled by the low price and uncool brand; it does exactly what you're looking for and very well.
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Re: “Motionless” Chorus Pedals
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Last edited by harpies on Tue Jul 12, 2022 10:41 pm, edited 1 time in total.
- friendship
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Re: “Motionless” Chorus Pedals
+1 to everything Gone Fission said. If you're looking at the Pitchfork, I'd check out the Plus as it gives you two detune voices.
The Boss options are limited but very solid if you mostly want a subtler effect.
*PS-2: one voice, 0 cents to 1 octave (on a single continuous knob)
PS-3: two voices, 0-30 cents
PS-5: one voice, 5-30 cents
PS-6: two voices, 5-15 cents (or up to 20 cents if you use a single voice)
HR-2: two voices, fixed (unknown cent value)
I've been looking at the TC Mimiq for this type of sound actually. Not a lot of the full-sized one on the market right now though...
*thanks for catching the omission, chomandre!
The Boss options are limited but very solid if you mostly want a subtler effect.
*PS-2: one voice, 0 cents to 1 octave (on a single continuous knob)
PS-3: two voices, 0-30 cents
PS-5: one voice, 5-30 cents
PS-6: two voices, 5-15 cents (or up to 20 cents if you use a single voice)
HR-2: two voices, fixed (unknown cent value)
I've been looking at the TC Mimiq for this type of sound actually. Not a lot of the full-sized one on the market right now though...
*thanks for catching the omission, chomandre!
Last edited by friendship on Wed Jul 13, 2022 1:48 pm, edited 1 time in total.
- Jero
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Re: “Motionless” Chorus Pedals
+1 on the PS-6
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- friendship
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Re: “Motionless” Chorus Pedals
can you get continuous detuning with the expression pedal, or is it stepped like on the knobbyJero wrote:+1 on the PS-6
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Re: “Motionless” Chorus Pedals
dont forget the original ps-2! It was a good chorus in manual mode, I think you can even toss in feedback for barberpole flanging
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Re: “Motionless” Chorus Pedals
hate to sound like an old man but those Boss pedals are tone suckers
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- Blood_mountain
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Re: “Motionless” Chorus Pedals
Sounds awesome. There is one on Reverb...for $950 Canadian. Yikes!backwardsvoyager wrote:also a fan of this sound and my pick would 100% be the Iron Ether Polytope.
the filter and blend controls make it possible to not sound totally out-of-tune in an ensemble even with really extreme detuning, and the LFO can be dialed out completely if you want.
it's a shame they're so hard to get, now.
- Blood_mountain
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Re: “Motionless” Chorus Pedals
I have never dug the Rainbow Machine. Even when it's not doing the acid-trip cascading rainbow thing I still can't get into itChankgeez wrote:Maybe a Rainbow Machine with the pitch knob around noon?![]()

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Re: “Motionless” Chorus Pedals
I picked up a 3rd Dimension cheap, and it's ok, but the sound quality is def not the greatest. I need to learn more about detune options.Gone Fission wrote: (Early demos of the 3rd Dimension sounded broken to me, like something was really off that you need for that recipe to work. So I would be wary of that one.)
On a similar logic, even if not modulating, you can hide detune better if you balance + and - voices, and keeping them within 9 cents of the source also helps on subtlety. (The big letdown of the Digitech Luxe was that it only has one detune voice, so not the pick for this approach.) Not that one voice doesn’t give you some good sounds, they’re just going to be more apparent to the ear.