Thanks for all the nice words, guys!!!
ifeellikeatourist wrote:youtube videos make it pretty hard sometimes to really distinguish the subtleties of different fx
I'm gonna attempt one video with all the pedals in it...I think a sort of a/b will really emphasize all the differences.
ifeellikeatourist wrote:this is funny, because when the 1134 & AB first came out, I decided that I wanted an 1134 based on the fact that I liked the artwork better, it was slightly cheaper, and also just because I thought that it sounded more like my thing than the AB.
That's funny.

I liked the graphics too, but I don't think they (or the name) grabbed people as much as I'd hoped.
I was so excited about the tone and wanted to get it out there, but probably should've waited longer.
I just think it mainly needs to go in a smaller enclosure, a price between $95-99, a mode toggle if I can get it in w/o a price raise, and a new name to top all it off!
Jeff (Agreed) really summed up why I love the 1134's tone in his review:
..."it is a roaring, spitting, howling fuzz with a hint of sub-octave at the beginning of notes unlike any other fuzz I've ever heard. This is the pedal's “signature sound,” to my view. However, backing off of either of the knobs puts the pedal into more traditional fuzz territory, though it never loses its unique sonic profile and remains fairly bright and cutting."The Algal Bloom has that 4th knob cause it needs it (and the 1134 doesn't)!

The AB's very versatile within its own tone range, but the 1134 can do more of an about-face with its tones (overfuzzed, to toneful disortions, drives of a totally different flavor).