As I mentioned in the build thread, the cross grain cuts proved a problem for the lacquer with lots of pin sized holes appearing. Also note the slight bleed onto the binding.
If you look closely you can see the edge of the neck heel extending into the body here:
you can find instruments with worse flaws than that being sold in the shops as professional grade instruments. that's an admirable job, especially for a first build. maybe someday i'll have the guts to build something from scratch. well done!
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
dubkitty wrote:you can find instruments with worse flaws than that being sold in the shops as professional grade instruments. that's an admirable job, especially for a first build. maybe someday i'll have the guts to build something from scratch. well done!
Yeah, that having the guts thing. It took me 3 months agonising over getting the neck blank rectangular and sawing the wood to get the headstock face - never mind cutting the outline or routing the trussrod channel. It did get easier as I went along. Still, I recommend it; the feeling of achievement every step of the way is great.
Re: the thick neck: I did want a thicker neck to take some pressure off the thumb but it takes some getting used to. It feels very strange switching between this and my Jet King with the typically skinny Ibanez neck.