Monkeyboard wrote:AFAIK He rarely used the LP Trimm Trabb and Popscene being two examples of it being used.
I'd like to clear a few things up about Coxon's guitars, if I may.
A Tobacco burst Les Paul custom was his main guitar throughout recording and touring "Leisure" and "Modern Life is Rubbish". He started using a Tele at some point during the "Modern Life is Rubbish" era. I've seen footage of the band from about 1993, and Graham used a black Squier tele (unsure of the specifics) on "For Tomorrow" and an early version of "Parklife". I think this is the one he's using in the "Girls & Boys" video as well.
Apparently Graham borrowed a Telecaster from producer Stephen Street during the recording of "Parklife", and really liked it, and then bought and used two '52 reissue Teles as his main guitars pretty much right up until he left Blur in 2002. He would continue to use the Les Paul for some stuff and actually had two LPs that he used live, the Tobacco Burst one, and a black one - I saw them on the first night of the Singles tour in 1999, and the black one was capo'd (2nd fret) and used on "There's No Other Way". The rest was all Teles except "No Distance Left to Run", which was an ES-335 , and "MOR" which was an SG.
On the reunion dates from last year, the Tobacco LP was Capo'd and other LP duties were handled by a sweet-looking '56 goldtop reissue with P90s. The '52 Tele replaced with a 70's Tele deluxe.
The pedal stuff brought up here, is as far as I know, pretty much true. The twin Rats/distortions is something I've heard him talk about, especially since he retired the '52 teles. At one point he used to put really hot pickups in his teles, but later found them a bit much, and he was losing a lot of dynamics with them. For his post-Blur solo stuff he tends to use a stock 60's relic tele, and a '68 tele with neck humbucker, and a little bit of crank from the amps, and two distortions to give different levels as and when needed.
I love his Les Paul sounds though, especially "She's So High", and even cleaner tones like "Oily Water"
As far as bands I like with "Tame" pedalboards - has to be James Dean Bradfield from the Manic Street Preachers. Nearly all Boss pedals (one of his favourite sounds to use is a Boss FZ-2 on the gain boost setting into a Marshall JCM900), and until 2004, he didn't even operate them himself - he got a roadie to do it for him.
This is a recent setup of his pedals, I've also seen on occasion lately an MXR Fullbore Metal pedal in there, and some pics I've seen of a recent Australian tour show a Way Huge Swollen Pickle on his board now. The welsh pedal, described in the link as a "secret weapon" is actually a distortion/Fuzz of some sort. Some people are theorizing that it might be a similar kind of thing to the Analogman Sunlion pedal. He has a ton of goodies, but that's his live stuff.
) for most of his fuzz and a Shin-Ei Companion for the totally OTT stuff. when you need to be more OTT than two Rats in series. 
