All right - got an hour to start messing around with it. This thing is INSANE! So many great possibilities in this little box. And I friggin' love the modulation! Recording clips of this one is gonna be fu-uu-uu-un!
As always, my signal chain goes passive Fender Jazz bass into Blargg into M-Audio FastTrack Pro into Garageband INTO YOUR EARS!
General "settings" and timings go like so:
0:00 - 0:08 - clean 0:08 - 0:25 - Blargg octavey 0:25 - 0:45 - nasal, more active 0:45 - 1:06 - thinner, more active 1:06 - 1:30 - mosquito 1:30 - 1:50 - chop switch left, speed/depth/pulse @noon 1:50 - 2:10 - chop left, deep & slow 2:10 - 2:31 - chop left, nasal 2:31 - 2:54 - chop left, mosquito 2:54 - 3:15 - chop ctr, s/d/p @noon 3:15 - 3:36 - chop ctr, deep & slow 3:36 - 3:57 - chop ctr, nasal fast 3:57 - 4:17 - chop ctr, mosquito 4:17 - 4:36 - chop rt, s/d/p noon *FAVE 4:36 - 4:59 - chop rt, deep slow 4:59 - 5:20 - chop rt, nasal fast 5:20 - 5:40 - chop rt, pre-mosquito 5:20 - 5:57 - chop rt, noodling 1 5:57 - 6:18 - chop rt, noodling 2 6:18 - 6:45 - chop rt, noodling 3 6:45 - 7:14 - chop rt, noodling 4 7:14 - end - chop rt, noodling 5
I have to say, of all the modes, I really really really love the random modulation offered up with the "chop" switch to the right. Also, if you have an EHX Freeze (or other means of drone-ification), the Blargg is a MUST HAVE (well, if you can get one) - the choppiness is just so perfect for mucking up (in the best possible way) long, drawn-out stuff. I'm'a have to do a drone track or ten with this puppy next.