What I can I say. I likes cookies.odontophobia wrote:You're getting too busy. :P :P :Pculturejam wrote:I started doing work for Mark back in 2011. The DOD stuff was about a year ago.odontophobia wrote:when did you add the BAT disclaimer to your sig? If recently then I understand forgetting.
If some time ago then maaaaaybe I can imagine.
Got your hand in a lotta cookie jars.
DOD/Black Arts Toneworks Boneshaker Distortion
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
Disclaimer #1: Co-Founder, Product Developer at Function f(x).
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
I want this pedal.
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
this is very interesting! i'd potentially use it for lower gain settings than what's in the video...awaiting additional demos.
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
I know I don't need one of these. But I also know that I'll eventually own one.
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
Anybody give this a spin yet? How's it sound with Baritone guitars?
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
Burgs just uploaded this:
[youtube]http://www.youtube.com/watch?v=ObrQ8K7N2ak[/youtube]
[youtube]http://www.youtube.com/watch?v=ObrQ8K7N2ak[/youtube]
…...........................…psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
Sweet dealin's: here
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
Who's been using one of these?
Now that they've been out for a while, looking for some impressions.
Now that they've been out for a while, looking for some impressions.
Special low-frequency version.
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
I've been looking into one of these lately. How does it stack with fuzz?
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
I'm also curious. Need a distortion/fuzz/drive with more tone control than anything I have.
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
Don't suppose you ever tried a Dr Scientist The Elements or an EQD Talons?PeteeBee wrote:I'm also curious. Need a distortion/fuzz/drive with more tone control than anything I have.
Gotto admit though, the boneshaker's amount of gain combined with the parametric eq...Almost seems impossible to dissapoint
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
Those are the main ones I am also considering. Just trying to figure out which one will be mostfrigid midget wrote:Don't suppose you ever tried a Dr Scientist The Elements or an EQD Talons?PeteeBee wrote:I'm also curious. Need a distortion/fuzz/drive with more tone control than anything I have.
Gotto admit though, the boneshaker's amount of gain combined with the parametric eq...Almost seems impossible to dissapoint
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
I have two Elements on my board....
Music out on all streaming services and bandcamp and what not.
Spotify /// Apple Music
My band /// Instagram ///Bandcamp ///
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
anyone tried this motthafokka?
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Re: DOD/Black Arts Toneworks Boneshaker Distortion
It replaced an OCD clone that was my main dirt. I read it pulls from a lot of different circuits, and I hear a lot of familiar things going on. Reminds me a lot of what I hear out of DOD250s, but it clearly has a LOT more gain; it also gets pretty fuzzy at higher settings, and doesn't seem to get saturated in the same way a lot of other dirt boxes do. I also hear a very present clarity about it, like somehow there's clean signal blended in somewhere, but I doubt that's what's actually happening. It may be a type of asymmetrical clipping, where half of the waveform is relatively uncompressed and clear sounding. Because of this clarity, it LOVES other dirt boxes and dirty amps; both as a boost and being boosted.
I had some questions and here's what I gleaned from Digitech:
The depth control works backwards (and is used for tightening up the lows by choking the amount of bass frequencies that it receives) and works down to about 30 hz (HELLO BASS). It has an odd setup for distortion, where most of the gain is in the last quarter turn of the knob (for more shades of overdrive; I wanted more shades of distortion and fuzz
). It's also LOUD AS FUCK in typical BAT fashion.
As far as the EQ goes, I can confirm that each EQ band can be set to distort on it's own, which is useful for getting more gain than with the gain control, although can sound weird depending on what frequencies you're clipping. They either didn't know or ignored my question about the range of each EQ control, but to my ears the frequencies don't meet up at opposing extreme settings, IE maxed bass and minimum mids are not particularly close in frequency. I would have appreciated something approaching overlap, as it could be helpful to boost low mids and cut high mids and vice versa.
All in all it's an incredibly well rounded device, and with proper EQing strategies can do most styles of music well. I can be practically WHEREVER I want in the mix, which is also handy.
I had some questions and here's what I gleaned from Digitech:
The depth control works backwards (and is used for tightening up the lows by choking the amount of bass frequencies that it receives) and works down to about 30 hz (HELLO BASS). It has an odd setup for distortion, where most of the gain is in the last quarter turn of the knob (for more shades of overdrive; I wanted more shades of distortion and fuzz
As far as the EQ goes, I can confirm that each EQ band can be set to distort on it's own, which is useful for getting more gain than with the gain control, although can sound weird depending on what frequencies you're clipping. They either didn't know or ignored my question about the range of each EQ control, but to my ears the frequencies don't meet up at opposing extreme settings, IE maxed bass and minimum mids are not particularly close in frequency. I would have appreciated something approaching overlap, as it could be helpful to boost low mids and cut high mids and vice versa.
All in all it's an incredibly well rounded device, and with proper EQing strategies can do most styles of music well. I can be practically WHEREVER I want in the mix, which is also handy.
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