I, too lack the desire to hear hard-panned and constant back & forth panning/hyperbolic movement of sounds throughout a mix.
So annoying, distracting, extraneous. Yuck.
Mono recordings have their own sound, sometimes it suits the program. It really depends on the style of music.
When you want something that's percussive and IN YO FACE then a mono mix can sound
great. Breakbeats, DNB, boom bap hiphop, chip tunes. So good.
But for psych rock, jazz and acoustic instrument driven styles...the airspace and depth of a 3d stereo soundstage is worth its weight in gold records. The depth is where nuance likes to lurk...even in denser styles like shoegaze, noise rock and metal. But mono mixes can also reveal detail that may go overlooked in a stereo mix. Many variables involved, all of which are symbiotic and deterministic. Try, try, try
No examples off the top of my head, but I recall seeing contemporary mono recordings discussed in
Believer magazine around 2011 or 2012.