when the nuclear holocaust comes and everything turns to dust all we'll have left is boss pedals and old peavey amps, it's less an aesthetic thing and more a sign of respect for a pedal that has proven its durability i think.greyscales wrote:Nothing wrong with a clean Boss pedal either! I'm just partial to things that look a little rough.Pepe wrote:My HM-2 must be ugly as shit then - it's like new and in the box. Seems that I have to start kicking it around and throw it down the stairway for aesthetics' sake!
Boss HM-2 Appreciation thread
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Re: Boss HM-2 (MIJ) Appreciation thread
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Re: Boss HM-2 (MIJ) Appreciation thread
If boss and peavy is all we're left with, I'm okay with it.backwardsvoyager wrote:when the nuclear holocaust comes and everything turns to dust all we'll have left is boss pedals and old peavey amps, it's less an aesthetic thing and more a sign of respect for a pedal that has proven its durability i think.greyscales wrote:Nothing wrong with a clean Boss pedal either! I'm just partial to things that look a little rough.Pepe wrote:My HM-2 must be ugly as shit then - it's like new and in the box. Seems that I have to start kicking it around and throw it down the stairway for aesthetics' sake!
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Re: Boss HM-2 (MIJ) Appreciation thread
I've had an hm2 4 separate times. I loved it every time, but I could never really get it to do what I wanted. I think if I had one now, I'd just let it take me for a ride instead...
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Re: Boss HM-2 Appreciation thread
The thing that pushed my HM2 off the board a second time (after I replaced the first one with an original run Dano Fab Tone when they were new) was the Boss GL-100, which is a rackmount on crack that does the HM-2 with para EQ and even more available gain. It goes beyond buzzsaw into crackle.
It into a Lexicon Vortex and Midiverb II: instant return to my 90s evil.
It into a Lexicon Vortex and Midiverb II: instant return to my 90s evil.
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Re: Boss HM-2 Appreciation thread
I use it as a low gain bass OD. Love it.
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Re: Boss HM-2 Appreciation thread
Blasphemy! The HM-2's EQ with the 100Hz and 1kHz frequency bands is just perfect for me!rfurtkamp wrote:Boss GL-100, which is a rackmount on crack that does the HM-2 with para EQ
Yeah, the HM-2 is great with bass as well!Bon Hoga wrote:I use it as a low gain bass OD. Love it.
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Re: Boss HM-2 Appreciation thread
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Re: Boss HM-2 Appreciation thread
will be soon in that club 8)
Rusty fuzz demos => viewtopic.php?f=149&t=45595
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vintage fuzz, amps, guitars gallery => http://www.fuzzyeah.com
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Re: Boss HM-2 Appreciation thread
MIT here. Gain low bass up does fun early 90s stuff.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
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Re: Boss HM-2 Appreciation thread
I'm really interested in trying out the abominable electronics throne torcher. That mid knob gives you some cool options.
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Re: Boss HM-2 Appreciation thread
Yeah. So many times I've been tempted to pull the trigger on that one.WeHuntKings wrote:I'm really interested in trying out the abominable electronics throne torcher. That mid knob gives you some cool options.
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Re: Boss HM-2 (MIJ) Appreciation thread
it can be a little hard to map what someone is aesthetically describing to the technical specifics. But my firs thought is that you might be hearing (at least in part) is the crossover distortion (there are a couple of diodes in there laid head to tail right in the main signal path that get their forward bias from the signal itself...ie no DC bias offset voltage)ramonovski wrote:
Maybe someone else can explain the technical details but it seems like there's an out of phase sound that makes it sound like "3Dish" on some EQ combinations. I like that.
The thing about crossover distortion is that it's not clipping the top off the signal so it doesn't really have that same "compression" effect that max-level clipping has -- IOW the signal above the crossover threshold can naturally "float" and you hear a change in character as the signal goes through it's dynamics [sort of the "ratio" of the crossover distortion to the above-crossover signal varying over time]
The H2SO4 was a gem as far as that went. but good luck finding those.
But my guess is that's the phasey thing you are hearing, at least in part
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Re: Boss HM-2 Appreciation thread
Well, you can dial in that very same thing, with more boost on bands available.Pepe wrote:Blasphemy! The HM-2's EQ with the 100Hz and 1kHz frequency bands is just perfect for me!rfurtkamp wrote:Boss GL-100, which is a rackmount on crack that does the HM-2 with para EQ![]()
It's a HM-2 with headroom *and* options, some of which put the chainsaw in it in splatty ways that nothing else I have does.
The second channel on the unit will do baseline rock stuff (or be a damn functional clean preamp, I love it for general sculpting and the I/O options - it's the master brain of the signal split from hell that is my three amp setup.
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Re: Boss HM-2 Appreciation thread
Boss GL-100>HM2
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Re: Boss HM-2 (MIJ) Appreciation thread
Maxxed out swedish chainsaw style, it's a fun ride.WeHuntKings wrote:I've had an hm2 4 separate times. I loved it every time, but I could never really get it to do what I wanted. I think if I had one now, I'd just let it take me for a ride instead...
I'd like to try the Abominable one, or more the Dunwich... In a custom etched box.
The rackmount or a lucky Arion Metal Master is more my budget.


