No Blink was played. Nor hair metal.
It's a bitch of a color to photograph - depending on the light it's black, purple-blue, black-blue, or something blueberry.
But I do have to have the maid dust the pedalboard!
Worst out of box setup I have *ever* seen on a guitar (and I used to handle them for a small shop) from a big name. Intonation was dead on perfect...if you didn't want to use above the 3rd fret on the high E. Burr on high E saddle.
About an hour on the bench fixing and tweaking - that level of bad doesn't happen from a guitar just sitting in a packing container for two years.
That said, seems solid now that I've done Gibson's QC pass for them. Fit and finish even under the truss cover was solid, no bad frets, no sharp edges, even paint. Even the gig bag they tossed in instead of a HSC is actually decent - I'd gig with it if I still did such things. Neck balance is good, overall weight very reasonable.
Bucker is dark yet articulate, it can get stupid loud if you hit it hard but that's what I expected. It *might* be louder than the Fender Atomic, which would be an achievement in passive pickups. Sounds good enough and Gibson-like clean, and goes from drunk to snarling with fuzz in a heartbeat.
And it loves the ebow. Oh, gods, does it love the ebow.
The "Baked Maple" silliness isn't as bad as I thought, even if the fretboard edges look like someone's wood burning project - gives it a brighter attack than RW or Ebony, but isn't the too slick feel of maple. I could live with this on any guitar to be honest - far better than the RW synthetic alternatives they've tried to use over the years.
Was it worth $1150? Not sure.
But I figure $300 of that is the name or more. The $650 Casino is as well built to be fair but the frets aren't quite as well done.