I've been slowly collecting a few pieces of rack gear, and have finally got the las piece of the puzzle. I got a gator 4 rack case, and found a quadraverb, spx90, korg a2, and finally bought a proco r2du rat today. Switching through banks has always annoyed me, so I have found 2 tech21 midi mouse units, and am looking for a third. End goal is to get the midi controllers and rat footswitch on a pedaltrain junior.
Any of you guys running rack gear? Any favourites?
Plenty of noise, little discernible skill or talent
I know the Korg A series stuff was pretty well regarded in its day. How does ithe A2 hold up? Any killer tricks up its sleeve?
Lexicon LXP-15II does awesome reverb, delay, and chorus. DigiTech IPS-33B has Whammy and some Space Station sounds, arpeggiators, and dual voice harmonizer. Eventide Eclipse is just the fucking bomb.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
DRodriguez wrote:Not exclusively for shoegazing, but get your hands on a lexicon verb and you will be in heaven.
Or get an eventide ultra-harmonizer and your soundscape will become incredibly more diverse.
Funny you should mention a harmonizer, I thought they were hair metal as fuck until I heard about johnny marr using one, and mike dean all over the yeezus album.
Plenty of noise, little discernible skill or talent
Check if the Quadraverb is a +. If not, blow the $15 to buy the Eprom update. It's easy to install (no soldering, no hassle). You'll get a LOT more fun toys (ugly ring mod, one of the most controllable multitaps ever made).
If you want shoegaze, get a Midiverb 2. Boring in that you can't edit presets - but there are enough good ones in there that nobody will care.
If you want grainy, silly delay with a full LFO control and era-correct sample and hold (instant glitch goodness), Digitech RDS (whatever) - only the 8000 is expensive at all. The rest are dirt damn cheap. I still have two in the rack and 4 in the closet as backups.
Lexicon Vortex. Do not pass go, do not discount the lack of demos available. Do not collect (nor will you spend $200).
There's other stuff that's good but that plus a Boss GL-100 are my desert island mission critical rack stuff.
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My pedalboard costs approximately 191 Metal Zones.
I have Yamaha GEP50 (SPX 90 + shitty dirt patches), FX500 and Lexicon Vortex.
Looking to buy an RDS, a Jamman and some of the Alesis verbs and a Roland GP8 to complete my rack.
I wish I could get some high end stuff and not feeling guilty about it. Maybe later.
John wrote:"guys play quiet, listen to my small costly device."
PumpkinPieces wrote:Fer shoogaze
tuffteef wrote:all you need is a big muff and feelings
DRodriguez wrote:Not exclusively for shoegazing, but get your hands on a lexicon verb and you will be in heaven.
Or get an eventide ultra-harmonizer and your soundscape will become incredibly more diverse.
Funny you should mention a harmonizer, I thought they were hair metal as fuck until I heard about johnny marr using one, and mike dean all over the yeezus album.
A lot of the current wave of boutique pedals of a digital bent seem to be mining a lot of the territory Eventide pioneered. Sequenced pitch shifting, pitch shifted delays, arpeggiation, multi-voice pitch shifting, and reverse crystals (backwards pitch shifting) all seem to show up again in newer pedals. Not exactly sounding the same, not always derived in similar ways. The genius of the pedals is that they are a fuckload less intimidating and often more intuitive than rack gear.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
Bumping this thread because the pawn shop in town has a midiverb II and rfurtkamp is right, it gazes for days. Really cool. I now get what the fuss is about reverse reverb, and the flanger presets are great. The inability to tweak settings is a buzzkill though.
Tom Dalton wrote:"I want to be as big as I can if it's going to stop a bullet."
That's kind of how I look at it, for the $60 I spent on a quadraverb, even if I only like 3 settings, it was $60! I can barely find pedals that can do anything close to that for cheap. Watohip, where in alberta are you from? Pawn shops in calgary are usually picked clean.
Plenty of noise, little discernible skill or talent
(Haven't watched this video in a while, at work now so can't really know if it's good or not )
Cydonia wrote: Too bad no one here is interested in talking about "gear"
BossMann73 wrote:I didn't insult it......I "curated" a "different aesthetic.".
John wrote:I love how this forum has the GDP of Switzerland in pedals but the collective value of everyone's patch cables is less than the change in my couch cushions. And I don't have a couch.