They should put the Vortex into a Whammy enclosure. You basically needed expression controls to get the most from the old rack unit, so just build the new Vortex into a treadle.
1. Add Vortex to Whammy line
2. ????
3. Profits

Moderator: Ghost Hip



D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes

This right here is straight-up genius. I would buy the hell out of that pedal.Gone Fission wrote:I'd really like to see Digitech do something like this but bolder. Also bundle in the Time Machine delay stuff, Harmony Man pitch stuff, their Lexicon reverb algo ports, and their modulation stuff. (Notice this makes success/failure less dependent on the albatross algorithms.) Include capability for two or three effects at a time, deep editing, and real MIDI facility including 5-pin ports. And skip the dirt and amp sim stuff. At a price of $350, if it could be done, that could undercut the Eventide H-9 a bit.






If you can -- are we on the "impossible" or "impractical" side of the "not happening" axis?leaves turn wrote:I want one.

It's definitely doable but it'd be a massive DSP porting venture.D.o.S. wrote:If you can -- are we on the "impossible" or "impractical" side of the "not happening" axis?leaves turn wrote:I want one.



D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes


I was working for the german distributor of DigiTech (Warwick) over 10 years ago.K2000 wrote:Isn't Digitech already using Lexicon's reverb technology?
They should put the Vortex into a Whammy enclosure. You basically needed expression controls to get the most from the old rack unit, so just build the new Vortex into a treadle.
1. Add Vortex to Whammy line
2. ????
3. Profits

