Circuits You Can Use

Eivind August · Post by **Eivind August** » Wed Jun 04, 2014 6:00 am

Fuzz Factory
Reverse delays
Double delay (i.e. two delays at the same time)
Octave down

Iommic Pope · Post by **Iommic Pope** » Wed Jun 04, 2014 6:08 am

Anything BAT make.
Anything Electric Heat make.
Boss FZ-2.
Delays......that get crusty....or wishy washy......but sound spooky.

goosekevin · Post by **goosekevin** » Wed Jun 04, 2014 6:40 am

Ooh yeah reverse delays too
Rusty box has been a godsend so a good cranky od is essential in my setups too now

Tristan · Post by **Tristan** » Wed Jun 04, 2014 7:18 am

Delay (Deluxe Memory Man):
The Deluxe Memory Man is the most beautiful sounding delay I heard till now, as far as I'm concerned it's in a total class of it's own, you haven't heard delay unless you've tried this.

Phaser (Tap A Phase):
Most boutique phasers I tried so far have a bit of plingy or nasal sound in the high midrange that makes it feel like it goes against what I'm playing because I have quite a strong attack but the classic Phase 90 and Small Stone don't seem to have this problem, the only classic sounding boutique phaser I found that works for me so far is the Tap A Phase.

Filter (Xerograph Deluxe):
I use this after my main drive with an expression pedal with a longer sweep (Dunlop Volume X) kind of as how I'd use a wah for slow sweeps only I think this sounds way more awesome and the threadle feels much better to me than those regular wah thingy's.

Sample Rate Reducer / Bitcrusher (Hexe Bitcrusher III):
The secret with this is in the sound of the sample rate reducer and the blend control for me, the Hexe is so beautiful as a layer underneath your clean sound, it also combines amazingly well with delay.

Chorus / Vibrato (Warped Vinyl):
I'm usually not a fan of the typical chorus on clean or drive type of thing but it if you apply lower depth settings it can bring an awesome deep metallic sheen on your sound and it can be great as a faux detuned second oscillator sound with certain more synthy sounding fuzz pedals.

bronzetalon · Post by **bronzetalon** » Wed Jun 04, 2014 10:50 am

The Elements would be useful on every board ever in some capacity.

friendship · Post by **friendship** » Wed Jun 04, 2014 10:59 am

I will never get rid of my Crazy Horse.

chuckjaywalk · Post by **chuckjaywalk** » Wed Jun 04, 2014 10:59 am

Man, everyone loves the Elements, but I just couldn't bond with it. I tried, but it just didn't work for me.

skullservant · Post by **skullservant** » Wed Jun 04, 2014 12:24 pm

Fuck
Mini
TC Polytune Mini
Holy Grail
Rangemasters
My old green muff
Triangle muffs
most delays
most reverbs

Chankgeez · Post by **Chankgeez** » Wed Jun 04, 2014 12:44 pm

I can use 'em all.

Whether I like 'em all, well, that's a different story.

GlitteryChunks · Post by **GlitteryChunks** » Thu Jun 05, 2014 4:49 pm

I like all Phasers. But I REALLY like my faye sing for manual phasing. Just set that shit on throaty and then everything I play is like a cyborg or something. I love it.

Jero · Post by **Jero** » Thu Jun 05, 2014 6:30 pm

chuckjaywalk wrote:Man, everyone loves the Elements, but I just couldn't bond with it. I tried, but it just didn't work for me.

Some days I feel this way, when using it with guitar, but I always love it with bass

PetZounds · Post by **PetZounds** » Thu Jun 05, 2014 7:36 pm

Anything Smallsound/Bigsound.

goroth · Post by **goroth** » Fri Jun 06, 2014 8:00 am

Jero wrote:
chuckjaywalk wrote:Man, everyone loves the Elements, but I just couldn't bond with it. I tried, but it just didn't work for me.
Some days I feel this way, when using it with guitar, but I always love it with bass

Re guitar: I don't think it sounds very good at bedroom levels - I much prefer a Metal Zone or a Death Metal. But at gig levels it slays everything in its path. It lets you get massive without getting boomy, cut through without getting mids-honky, and meaty without attack-decimating saturation. Of course, if you want those things you can dial them up too

- but they're awfully hard to get rid of in a Metal Zone for example.

01010111 · Post by **01010111** » Fri Jun 06, 2014 8:37 am

Spooky analog delays (i.e. the repeats sound like a cross between whale sounds and metal creaking on a submarine)
Extra-crisp digital (like the repeats are on the edge of freezing they're so cold)
Big, cold, delayed attack reverbs
Fuck
High Five Plus
Wolf Computer
MXR octave pedals

chuckjaywalk · Post by **chuckjaywalk** » Fri Jun 06, 2014 9:31 am

goroth wrote:
Jero wrote:
chuckjaywalk wrote:Man, everyone loves the Elements, but I just couldn't bond with it. I tried, but it just didn't work for me.
Some days I feel this way, when using it with guitar, but I always love it with bass
Re guitar: I don't think it sounds very good at bedroom levels - I much prefer a Metal Zone or a Death Metal. But at gig levels it slays everything in its path. It lets you get massive without getting boomy, cut through without getting mids-honky, and meaty without attack-decimating saturation. Of course, if you want those things you can dial them up too - but they're awfully hard to get rid of in a Metal Zone for example.

That would make sense since I rarely get to 'loud' by even bedroom standards.

ilovefuzz.com

Circuits You Can Use

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