Downtuning acoustics?

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celticelk
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Downtuning acoustics?

Post by celticelk »

Anyone tuning steel-strings down to B or thereabouts? What works, what sucks, is it even worth bothering? Especially interested in your experiences with resonators (wood- or metal-bodied) for fretted (not slide) playing.
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7 strings, played slowly.
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Re: Downtuning acoustics?

Post by Chankgeez »

I threw a set of these on a vintage Gretsch flat top:

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They sounded pretty good, but it was not a good idea. The top already had a crack in it...
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Re: Downtuning acoustics?

Post by HeavyXIII »

I've been doing this with my steel string acoustic lately. I found that using bigger strings tended to sound a little bit muddy. The thinner strings so far are brighter and clearer, but I can't drop down to A# without the note changing when I strum it. I intentionally looked for the brightest sounding strings I could find. The GHS White Bronzes I found are working so far. On the plus side, they're magnetically active and very bright. I may try one set heavier to make A# possible. But I'm curious to how long they last.

I imagine resonators would also solve clarity and volume issues from down tuning as well.
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Re: Downtuning acoustics?

Post by Blackened Soul »

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Re: Downtuning acoustics?

Post by wildebelor »

ian mackaye from fugazi / minor threat has an acoustic project with his partner called The Evens.
He uses a baritone acoustic which sounds very cool. I think you could get some great sounds from a baritone acoustic!
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Re: Downtuning acoustics?

Post by celticelk »

wildebelor wrote:ian mackaye from fugazi / minor threat has an acoustic project with his partner called The Evens.
He uses a baritone acoustic which sounds very cool. I think you could get some great sounds from a baritone acoustic!


Ideally, what I'd like to have is a baritone or 7-string resonator, but they're rare birds, and I'm not yet at the point where I'm ready to drop $2600 or so to custom-order a National. Downtuning a standard-scale model is obviously cheaper, but I have some concerns about intonation for non-slide playing higher on the neck, hence the thread. A D-Scale Ovation might be a reasonable middle ground, but I really like the resonator tone and aesthetic.
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7 strings, played slowly.
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Re: Downtuning acoustics?

Post by Blackened Soul »

celticelk wrote:What works, what sucks, is it even worth bothering? Especially interested in your experiences with resonators (wood- or metal-bodied) for fretted (not slide) playing.

Leadbelly tuned Baritone, which means a huge amount of guitar playing is actually based on a baritone tuned guitar...
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Re: Downtuning acoustics?

Post by t-rey »

Lead Belly is the shit.

Downtuning acoustics sounds pretty rad.
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Re: Downtuning acoustics?

Post by PetZounds »

t-rey wrote:Lead Belly is the shit.

Downtuning acoustics sounds pretty rad.


I agree with both of these sentiments.

I've found that I usually prefer to keep my acoustic in C.
I think C is just about the perfect place for my taste, really opens up the useable notes on the guitar while not getting too muddy.
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Re: Downtuning acoustics?

Post by celticelk »

PetZounds wrote:
t-rey wrote:Lead Belly is the shit.

Downtuning acoustics sounds pretty rad.


I agree with both of these sentiments.

I've found that I usually prefer to keep my acoustic in C.
I think C is just about the perfect place for my taste, really opens up the useable notes on the guitar while not getting too muddy.


What strings are you using?
If you bring forth what is within you, what you bring forth will save you.
If you do not bring forth what is within you, what you do not bring forth will destroy you.
-The Gospel of Thomas

Knowing your own darkness is the best method for dealing with the darknesses of other people.
-Carl Jung

7 strings, played slowly.
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