The Doom Room: ILF Edition

[christianatl]

She's a beauty.

[D.o.S.]

Some good Bass VI string info here:
http://ilovefuzz.com/viewtopic.php?f=188&t=40060

And here, but this thread is massive. Maybe repost your question there for hot cross-pollination:
http://ilovefuzz.com/viewtopic.php?f=18 ... &start=585

[pelliott]

Damn that thing looks sweet, Christian

[D.o.S.]

Oh that's fair enough that you don't like them. I don't care about that. but how you I thought you had labelled them I was like I said above... perplexed.
and what's up with that when you listen to powerviolence means you can't listen to anything else? I guess there is something wrong with me since I actively write/record/and perform in 2 pv bands.


Anyway Soilent Green is one of the main reasons why I started buying up Ampeg SS150's and 140's so much. I love that tone.

I just kind of lost interest in all the grindcore bands when I got into powerviolence, since the Slap A Ham stuff was much more in line with, uh, my cultural sensibilities and such while being more or less the same kind of music.

Links to yer bands? I assume they're in your sig but I don't know which ones are which.


Also, this is my favorite 7" of all time:
[youtube][/youtube]
[youtube][/youtube]

[christianatl]

Some good Bass VI string info here:
http://ilovefuzz.com/viewtopic.php?f=188&t=40060

And here, but this thread is massive. Maybe repost your question there for hot cross-pollination:
http://ilovefuzz.com/viewtopic.php?f=18 ... &start=585

Thanks duder.

But I'm not tuning to E, so the tension is going to be pretty different. I'm just trying to minimize the amount of money I have to spend on experimenting with different gauges.

[D.o.S.]

Fo' Sho', maybe shoot LaBella or Circle K an email? They seem to be the biggest VI string providers.

Also, what's the story behind that tuning? It's Octave G's on top of a the middle of Curtis Mayfield's Black Keys?

[ShaolinLambKiller]

Oh that's fair enough that you don't like them. I don't care about that. but how you I thought you had labelled them I was like I said above... perplexed.
and what's up with that when you listen to powerviolence means you can't listen to anything else? I guess there is something wrong with me since I actively write/record/and perform in 2 pv bands.


Anyway Soilent Green is one of the main reasons why I started buying up Ampeg SS150's and 140's so much. I love that tone.

I just kind of lost interest in all the grindcore bands when I got into powerviolence, since the Slap A Ham stuff was much more in line with, uh, my cultural sensibilities and such while being more or less the same kind of music.

Links to yer bands? I assume they're in your sig but I don't know which ones are which.


Also, this is my favorite 7" of all time:
[youtube][/youtube]
[youtube][/youtube]

Fair enough. I just get curious about how some people thoughts on things. Here are my bands, hell this is a link of them doing a split because I can do that.

http://speedritualrecords.bandcamp.com/ ... er-despair
https://kamikazepilot.bandcamp.com/albu ... -despair-2


Dragunov I play guitar and vocals. My friend plays drums. We actually go out and play live and all that.

Kamikaze Pilots is all me, all drumming is single foot action. I wanted to do something without a single ounce of double bass.

[HeavyXIII]

Quick question for anyone who owns physical copies of Yob's stuff (specifically Atma), does anyone know if Scott Kelly has provided guest vocals for any of Yob's songs? I feel like I can hear him here:

[youtube][/youtube]

But I'm not sure, Mike may just have his voice down to a science.

[D.o.S.]

Yeah Scott Kelly's on Before We Dreamed of Two. He also plays 'Doom Percussion' on Adrift in the Ocean.

Also Shaolin that stuff is rad. Digging Kamikazi Pilots a whole lot.

[ryan summit]

Fuck

Here's the weirdness I put together for them for the album preview. Apologies if I posted this here before. I honestly can't remember if I did or not. I'd be glad to lend my shite subpar video editing skill to any of your bands if you guys are interested in doing that.

[youtube]http://www.youtube.com/watch?v=MImlbOSbgco[/youtube]

Extra points if you can guess which track the Ancient Warlock played on

this is fucking awesome

[whiskey_face]

some 415 cabs perhaps?

hopefully 415s 4 more 18s and a whole lotta watts. lets see how my dealin pans out

[ShaolinLambKiller]

Also Shaolin that stuff is rad. Digging Kamikazi Pilots a whole lot.

Thanks! I appreciate you checking it out. I'm currently piecing together another full length for KP right now. It's been kinda slow since I got involved in recording some other ideas haha.

And sweet whiskey... that's what you need that extra push to cave in your chest. That's how I know a cab is good. I can feel that air pushing.

[AxAxSxS]

Whisk, that gk4412h cab I have does exactly what you are saying you want. I have noticed it gets a lot more of the low end power feel with the 1200s pushing it as opposed to the verellen 2203 or sims watts. the sunn has a bit more oomph and is voiced darker. Hard to find but I would be glad to take measurements of mine if you wanted to build one. I would imagine the roland 412 fh someone just picked up in the rig thread would produce a similar thing. I'm guessing you are wanting to not use the earthquake cabs as part of your main rig?

[christianatl]

Fo' Sho', maybe shoot LaBella or Circle K an email? They seem to be the biggest VI string providers.

Also, what's the story behind that tuning? It's Octave G's on top of a the middle of Curtis Mayfield's Black Keys?

I was initially tuning a standard scale guitar GGCFAD, but when we put it under the microscope of recording the shitty intonation and tuning stability was really obvious.

It's on this song: https://whores.bandcamp.com/track/last-looks

[D.o.S.]

Also Shaolin that stuff is rad. Digging Kamikazi Pilots a whole lot.

Thanks! I appreciate you checking it out. I'm currently piecing together another full length for KP right now. It's been kinda slow since I got involved in recording some other ideas haha.

For sure, the single bass drum is fucking awesome -- I don't know why more fast bands don't do that.

Fo' Sho', maybe shoot LaBella or Circle K an email? They seem to be the biggest VI string providers.

Also, what's the story behind that tuning? It's Octave G's on top of a the middle of Curtis Mayfield's Black Keys?

I was initially tuning a standard scale guitar GGCFAD, but when we put it under the microscope of recording the shitty intonation and tuning stability was really obvious.

It's on this song: https://whores.bandcamp.com/track/last-looks

Right on. When's your swag gonna be back in stock, anyway?