Casavettes wrote:also, who has the acountant? been thinking about compressors lately and it seems pretty cool.
I gots one. It hasn't left my board since I bought it, and I've had it since it was released a few months ago.
I'd say it's a pretty fucking gnarly pedal. It has a clangy, crunchy, fuzzy tonality to it that I really dig. You can of course dial it back to something more subtle, and I do do that from time to time if I'm playing gentle music or just want to add a little colour here and there, but I usually use it as a thick, sustaining boost. I'm not a sloppy player so I don't need to "even out attack" or any of that—no offence to anyone that does use compressors for that. I like to use it more unconventionally—though I imagine it's the way Guillaume originally designed it based on his other pedals and the way he described it in the video.
It's not as versatile or quiet as the Empress Compressor, but it is more colourful and boisterous. Ironically, it's a big boy's compressor. None of that ponsy "always on" shit (*ahem* Diamond Compressor *cough*).
Just kidding, by the way. I'm only having a laugh.
hazelwould wrote:Casavettes wrote:
erm, do you feel like it changes the way you play especially with dirt/fuzz?
and how noisy is it?
Dude, just buy my CS-3 for $40 and try a compressor out.

/spam
I don't know if that would really convey the way The Accountant works dynamically in a musical context. It would work if you were playing teh bluez or ambient stuff, but for heavier styles, the way I tend to use it, it just wouldn't be the same. I've tried the CS-3 and it really isn't that much like The Accountant. The Accountant is a crunchy little bastard with a bold personality and lots of unapologetic sustain, while the Boss CS series are more delicate and pretty.