Wes Mantooth wrote:Tristan wrote:In that respect I'd recommend a volume pedal, funny enough it's probably one of the most go to dirt related pedals on my board.

This is a good idea.
Never tried it though, I kind of like all of the noise

The noise can be cool offcourse but a volume pedal lets you control it more.
What I'd do for instance is turn on a big delay with lots of feedback after I finish playing a riff, I keep the noise going into the delay a little and then drop the volume with the volume pedal before switching it all off so the noise kind of stays there in the background and cascades away into the next song section.
The way I have my board setup is with the volume pedal in front of my main dirt, so basically for less gain I only need to turn down the volume and I don't need to get another pedal specifically for that sound.
The signal path dirtwise is as follows:
Amp50 (dirty boost) -> Wolf Computer, HiRay or Orbit (gated synthy fuzz) -> Visual Volume (with leds!) -> Big D (main dirt) ->
Unpleasant Surprise (nasty octave up fuzz) -> Bitcrusher III (robot sample rate reduction sounds)
In my experience gated fuzz doesn't really like a volume pedal in front as it usually gets too gated when you turn it down.
The Amp50 is a great boost and it works together very well with the Wolf Computer to make it more stable and with the Big D for solo sounds.
I chose the Unpleasant Surprise as an octave up fuzz because on it's own you can get some nasty broken textures from it but when I engage the Big D in front it really gets into true octave fuzz territory, only heavier and less compressed in my opinion.
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