sylnau wrote:Nice! How you like those two in the loop of Operatot!?
How does they react?
The RR intensifies in the feedback loop which is actually pretty cool.
It doesn't get as wacky as I was expecting but on the other hand it's probably a little more useful this way
The Hoof does the expected oscillating fuzz thing; glitchy, feedback-y, noise. So its pretty awesome!
Together, I'm using the RR on a lower frequency setting, which sounds almost like a vibe and gives some nice texture to the Hoof's noise.
Kind of an early Pink Floyd thing when you add in the Flashback delay.
I've had pretty much all of my pedals, except the Wah and OC-3, in the Operator loop so far.
I really liked delay and reverb in the Operator, it creates a pretty thick wall of sound that I could control with the volume pedal, but I decided to move them over to the Utter Stutter.
The F*ck surprisingly and somewhat disappointingly cuts all volume in a feedback loop
Also my EQ got EXTREMELY loud and high pitch in the Operator.
I was pretty scared for my amp with that one.
I'm going to get my shit bass practice amp from home before I keep experimenting with that.
I'm really gassing for some modulation pedals now because I've heard they go wild in feedback loops.
