Holy Schnikes wrote:benjuro wrote:Yeah I wondered about that, and worried a bit that it might be more dusky than I like...the 616 with the buffer off I definitely found a little dull. Makes sense though that the voicing would be significantly different.
Will be really excited to hear your 2 cents...
It's SUPER dark, darkest repeats I've ever heard, easily. Dusky is a really great word to describe the sound. Mine DEF sounds kinda limp and boring in TB, the buffer really brings it to life tho, gives the repeats more clarity and bounce. Where it shines for me is the sorta background wave of awesomeness it creates. Single repeats sound great and all but it's when you let those repeats stack and interact that it sounds like nothing I've ever heard. I love the oscillation too, kinda thumping/rhythmic thing going on with it and I'll ramp it up and back off via expression. Wish the exp dialed repeats down to zer, always one repeat at minimum setting, would prefer none so I could go from dry signal to insane via exp.
Like others mentioned, it loses repeats pretty quick with dirt/fuzz but I just set it for minimal repeats and it still sounds really amazing, notes sorta soar in a wash of dark verby delay, sounds vast!
The 600B is great too and I never woulda sold mine but I had a DMM reissue that I preferred just barely and I paired it with my 600D, was nice! Now I have neither and it bothers me to think about that fact. Damn it. At least I had the sense to keep the 600D.
I'm with you on the EXP pedal control...I actually wondered if mine was working correctly when I couldn't get that one single repeat on my 600B to go away






but it just doesn't feel right with my set up. So I think I'm gonna pass it on after a band practice or two. Not that I don't like it, just that I don't think it will work very well for me in the end. 