sylnau wrote:Is this near distortion (a la Muff) or it's more of a fuzzy and hairy beast?
Hey 9520575, it's been a while, it's great to have you back on the forum.
it feels good to be back
But to answer your question its a buzzaround clone. Which, to my ears, is in the tonebender & fuzz face spectrum of fuzz. Raspy, yet full. Really nice on cords. Really big and expressive. It sounds like a couple settings on my fuzz factory, but way way quieter.
Yeah, the Crimson King is tops, LOVE mine! I don't own much to compare it to but 9520575's description is right on imo. I was a little timid as it doesn't have a master volume but the timbre and balance controls are very interactive and can be used to adjust output accordingly, not an issue. Def a HUGE gain range, gets totally raspy and nasty and trebley like an old school 60's-style fuzz or you can thicken it up to a more modern, meaty, aggressive sound, all with tons of clarity. Voiced perfectly.
Yeah Robert Fripp used Buzzarounds for leads a lot. FWIW the Robert is also a King Crimson reference cause after I made the first one i thought it sounded kinda like a buzzaround out of random coincidence.
Oh and i have the older Arc Buzzaround clone with no power jack. Thing does sound awesome. I do think it can get into muffish territory, actually, but its not really related to the circuit.
i never used a buzzaround that sucks. it is kind of the big muff for people that hate big muffs. And if you want an even more badass pedal, ghost dizzy tone!
devnulljp wrote:Best pedal description ever for the Dizzy: sounds like a rusty chainsaw slowly eating away at your face
Yeah, its got the zippy "velcro"-ish sound I like with the Fuzz Factory, but a little less treble... I mean, I suppose its muffish, like all fuzzes are fuzz, but I mean, I kinda don't see the muff... Its like a 60's fuzz tone surf, shit, for hepcats dig?
yeah, I'mma gonna record some fuzz tones for y'all. in the mean time dig these demo sounds: