Dynacomp- Max Sustain and Max Volume. I'm not hearing much pick attack. Still thinking about how you could get the fuzz texture.. I'm sure Morningstaru, the conniesuer of fuzz, will be able to tell.
Dynacomp- Max Sustain and Max Volume. I'm not hearing much pick attack. Still thinking about how you could get the fuzz texture.. I'm sure Morningstaru, the conniesuer of fuzz, will be able to tell.
Well SOMEONE should be able to identify it. this IS ILF after all... It's reminiscent of Psychocandy fuzz tones, wonder if they've got a Shin-ei in the studio.
There are a few shots of the pedalboards there, Sune rose Wagner appears to be using a RAT, Boss Mega Distortion, Jimi Hendrix octave Fuzz, Sharin's using a couple of RAT pedals, a ZVex Fuzz Factory, from what i can make out (and some stuff that's been taped over)
People assume that time is a strict progression of cause to effect, but actually from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey... stuff.
There are a few shots of the pedalboards there, Sune rose Wagner appears to be using a RAT, Boss Mega Distortion, Jimi Hendrix octave Fuzz, Sharin's using a couple of RAT pedals, a ZVex Fuzz Factory, from what i can make out (and some stuff that's been taped over)
Yeah, his live tone is much different though. In the studio there's a lot of different fuzzes they use.
There are a few shots of the pedalboards there, Sune rose Wagner appears to be using a RAT, Boss Mega Distortion, Jimi Hendrix octave Fuzz, Sharin's using a couple of RAT pedals, a ZVex Fuzz Factory, from what i can make out (and some stuff that's been taped over)
Yeah, his live tone is much different though. In the studio there's a lot of different fuzzes they use.
i have a RAT, and know that i think about it, with a bit of fiddling with the filter control you could probably cop that.