Bartimaeus wrote:I wish I could just grad one of those cheap Dano guitars, but I'm too opposed to the company on moral grounds.
You could try to score a used Jerry Jones..
The thing is though that in the end what string you use and how you play the thing will make a bigger impact on different, I can pick up a dano and make it sound totally "normal" and I can pick up a fender or a Ric and do not "normal" it's all in the mind.
Derelict78 wrote:I really dig the sound of the Höfner "violin bass". Definitely not the typical fender sound.
Yeah they definitely have their own distinctive sound.
Another thing that sounds different is any bass with one of those crazy huge humbuckers in it, anyone know where the stupidly large bass pickups come from? One of my favourite bass tones is my friend's violin bass copy with 30 year old flats and this gigantic humbucker, it's amazing. Whoever made it the crazy frankenstein it is today was a genius.
Sounds like one of my dream basses.
aen wrote:Or I'll just use fuzz. Then Ill sound cool regardless.
Achtane wrote:Well, volcanoes are pretty fuckin' cool. Like I guess lava flows are doomy. Slow and still able to to melt your eardrums.
Grizz wrote:Still searching for the right Ric tho, I cannot deny how awesome they are.
Yeah, I have played new ones and to me they are meh, look at 70's and 80's ones, they are cheaper and sound better also I think most people don't understand that they can do more then the clank clank sound and with the built in mute you can get some cool/odd upright like sounds or use it almost like a sitar buzz bridge
Derelict78 wrote:I really dig the sound of the Höfner "violin bass". Definitely not the typical fender sound.
Yeah they definitely have their own distinctive sound.
Another thing that sounds different is any bass with one of those crazy huge humbuckers in it, anyone know where the stupidly large bass pickups come from? One of my favourite bass tones is my friend's violin bass copy with 30 year old flats and this gigantic humbucker, it's amazing. Whoever made it the crazy frankenstein it is today was a genius.
Sounds like one of my dream basses.
It's amazing, that bucker has so much output it's hilarious and on a tiny hollowbody violin bass? Shit. After a bit of digging around, the pickup looks a lot like those dimarzio model ones... hmmm, I definitely want a short scale with one of those myself.
Grizz wrote:Still searching for the right Ric tho, I cannot deny how awesome they are.
Yeah, I have played new ones and to me they are meh, look at 70's and 80's ones, they are cheaper and sound better also I think most people don't understand that they can do more then the clank clank sound and with the built in mute you can get some cool/odd upright like sounds or use it almost like a sitar buzz bridge
I like the clank clank sound ... that's why I bought the Ric
I have two different EB basses. One is vintage Japanese, bolt on maple neck I got for free out of a friend's basement everything need work, except the pickups and tuners. Also have the bolt-on Epi with a DiMarzio Model One in the Neck, and made a route for GFS blade guitar humbucker in the bridge. But yeah, flats and Hipshot bridges on both of those. The Epi EB-0 is a killer bang for the buck.
Grizz wrote:Still searching for the right Ric tho, I cannot deny how awesome they are.
Yeah, I have played new ones and to me they are meh, look at 70's and 80's ones, they are cheaper and sound better also I think most people don't understand that they can do more then the clank clank sound and with the built in mute you can get some cool/odd upright like sounds or use it almost like a sitar buzz bridge
I like the clank clank sound ... that's why I bought the Ric
I know, and it's badass sound But I am thankful they do other sounds
also though for "unusual" look at Gretsch type stuff, they are way off the beaten path still and rather neat
Derelict78 wrote:Hmmm, I think I want to put a mute on my T-40. Cotton? Foam?
traditionally, most e-bass mutes are made of thick wool felt pads. i think you'd need pretty stiff foam to get a good result, but that's also been used notably on 60s/70s European and Japanese instruments.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
BTW if you want to make the bass you already have sound non-standard, try the Bill Wyman position with the neck pointed as close to vertical as you can stand and play with your fingers like a jazz bassist. the position, and the fact that you have to hold the neck up to some extent, deadens/stops the notes when you change the fingering. that and some nylon tape wound flats will have you seeing e.g. your P-Bass in a whole new way.
the cool thing about the Hofner "Beatle Bass" is that it's the only short-scale bass i've ever played that stayed tight all the way down to the open low E. no flippy-floppy shit at all. i don't know if this is true of the clones as well. i reckon it'd turn on the question of neck angle.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?