black mess wrote:live-i-evil wrote:black mess wrote:Yes, a lot of La Monte Young in there.
Ahh, you beat me to it I see. I've been hitting a lot of William Basinksi lately - Watermusic and the Tape Loop Drones are awesome.
I've never heard of him, going to check it out. Thanks for the tip.
Yeah, Basinksi is a lot more repetitive, a lot of his stuff is just loops. BUT, here's where it gets interesting - the loops were created when he was importing older minimalist work he'd done that was on tape but the tape was in such bad condition that it would deteriorate as he imported it. So with each repetition of the loop the tape is literally disintegrating so the sound breaks down in parts more and more until it gradually becomes static and white noise. All of this happens so naturally though that it can be hard to really notice until you're at the end of the loop and it's garbled soft white noise. These two are shorter but some of his loops are around the one hour mark.
[youtube]http://www.youtube.com/watch?v=Soc1Jg7IRjo[/youtube]
[youtube]http://www.youtube.com/watch?v=CSfNyaXvNwI[/youtube]
Then there's also Alvin Luciere with his minimalist piece I'm Sitting in a Room. This is also more experimental as far as minimalism goes and wikipedia's summation of it illustrates it better than I could - Luciere is sitting in a room recording himself narrating a text, and then playing the recording back into the room, re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Since all rooms have characteristic resonance or formant frequencies (e.g. different between a large hall and a small room), the effect is that certain frequencies are emphasized as they resonate in the room, until eventually the words become unintelligible, replaced by the pure resonant harmonies and tones of the room itself.
[youtube]http://www.youtube.com/watch?v=2jU9mJbJsQ8[/youtube]