I'm having a ton of trouble patching everything in a reasonably unintrusive (because it's also my bedroom) way, I suppose it's just because of the way my room is laid out. The things on the shelf are a VX-351, a Doepfer Dark Time, and a Tempest. And towels. I run all of it into a small Mackie mixer while pretending I'm Brian Eno. Shit's awesome.
The pitch and gate CV outs from the minibrute go into the Minitaur, and then the audio output from the Minitaur goes into the input on the 'Brute. So there's three cables flying around.
Chankgeez wrote:
DWARFCRAFT: We are not fucking around this year.
aen wrote:The pitch and gate CV outs from the minibrute go into the Minitaur, and then the audio output from the Minitaur goes into the input on the 'Brute. So there's three cables flying around.
Yeah that would be right I just couldn't see them... If you have a CP you could use (or build) a CV Offset... The one on the CP-251 does +/- 5 of the original value... Probably something easy you could make...
Frost wrote:I'm Robert, from Australia, living round the corner from Sonidero in Austin. Here's some horrible noise I made at his house and my magical board of wonders. I have developed a keen love of fuzz and hope to learn more things from this vast pool of goodness.
Thanks! The only synth gear I really have is the Tempest (although it is deep, it is easy to jump into), a M-Audio Venom, iPad4 (guess it counts, it is a dope sampler), plus Pedals.
Elektron A4 is still making me hard, I don't have money for it for quite awhile.
I get that people want more from the Tempest OS but it is coming along. What I don't get is why so many people are knocking the drum presets, most of them sound really good and are super easy to tweak. I have to work more on synth sounds from the Tempest.