Guys, Sorry if i missed that, but what are your thoughts on the current Production Big Box Big Muff? I'm thinking about adding this to my pending Order cause it is damn cheap...
i don't know, man... these are just huge, have a minijack for power supply and get lost in the mix like hotcakes.... wait...
just saying - i'd use one in a studio for a solo, because they have an awesome unique character above 12th fret with neck pickup... otherwise it's a big no-no for me, because they have just about -1050 mids
I picked one up for 40 bucks new and have recorded with it for a wooly, warm, scoooooooooped fuzz sound that sounds muffy and saturated (not nearly as good as the greenie of course). Live is a big no-no!! Say goodbye to being heard! I think it is a nice thing to have around just in case all of your other fuzz pedals mysteriously melt into your floor.
If you are getting a discount off the already low price, I say hit it. The newest one I have is from 2007-2008 and if nothing has changed since then then, I think it's definitely worth trying.
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?
Hey I had a tone wicker like 2 years ago. I mostly used it with the switches off. It was fun but most positions of the sustain knob sounded the same and the tone wasn't useful out of the 10 - 2 range. But it sounded like a beast going into a ds-1. It made this mega fuzzy, mega compressed mess
The big box NYC muff was my very first pedal, and I loved the shit out of it. Nowadays, I find that there are other muff variants I prefer to it, but it's still not a bad pedal. For as cheap as they are, you could do a whole hell of a lot worse.