Painful Pedals

[Bellyheart]

Every pedal I have would be looking like Christmas but at the time fuck to second voice feeds back nice enough.

[tuffteef]

Thread is story of my life...

Especially when i was doing residences at snooty and ghetto bars and the Hilton
I've heard it all

Fat bingo mums just loved to shout compliments all night at me

[ryan summit]

hahahhaha yesssss
FAT BINGO MUMS
you win
funniest fuckin description
of a person in 2012
holy shit
every waddling peice of white trash
is gonna make me thing
fat bingo mums
the question though
did you ever go "down under" on one
break off some bingo butt
man im gross

[sonidero]

Anything through a BLOWING UP!!!

And Bingo Butts Rule...

[Gearmond]

e-bow + pitch shift + chorus and superfuzz set to kill

[phantasmagorovich]

Frostwave Resonator, resonance all the way up on both filters, tune to mismatched squealing at the high end of the audible spectrum, turn the volume up. Die blissfully while the crowd dies in pain.

This will only work with really good amplification. But the bonus is that they will have to cut the electricity to inspect the crime scene. Take that, CSI.

[kbit]

Tone Machine
Volume / Sustain / Tone dimed
Octave engaged
Sustain the highest minor second possible

Ouch

[WeHuntKings]

The fz-2 in fuzz mode two with maxed gain and treble makes the most horrifying screeching feedback. Like a blizzard of rusty nails.

[fungalattack]

The fz-2 in fuzz mode two with maxed gain and treble makes the most horrifying screeching feedback. Like a blizzard of rusty nails.

the most horrifying evil, beautiful feedback!!! Such a dark, sinister fuzz, I am in love.

[Bassus Sanguinis]

Wah, ring mod, and a flanger/chorus in feedbackloop. Make their brains hurt. Then Dwarfcraft TGD. Through a 600watts amp.

[soldersqueeze]

This is the exact reason I keep a WMD Geiger Counter at my feet. That thing makes the most insane sounds and has enough volume to destroy anything you plug it into.
For really good times I plug it into the effects loop of my delay with the feedback time and levels cranked, and then use an expression pedal to rhythmically dive-bome the sample rate. That will get the sound-guy hot footing it back to the desk to find out what went wrong while the audience heads for the exit

[soldersqueeze]

Actually, I really want to hear the examples already listed. Anyone want to make a clip of their best effort?

[Rob Fossil]

3Xfx Fatman/V2. Stomp on the oscillation switch and the pedal emits a squeal that attacks the base of your spine and voids your bladder. Done and done.

[WeHuntKings]

Actually, I really want to hear the examples already listed. Anyone want to make a clip of their best effort?

I will try to do so at band practice today. It gets particularly heinous when you fret a note out.

[rfurtkamp]

I actually went with a different approach when I did this for a guy I know who was complaining about a Polish place he went to in Chicago playing nothing but Roxette his entire stay:

[soundcloud]http://soundcloud.com/rfurtkamp/how-to-clear-a-polish[/soundcloud]

Blue box>Disaster fuzz>Jamman>Digi Time Bender