PumpkinPieces wrote:Just received the Supernatural, just the reverb I was looking for. Spring, Plate, and Shine modes are my favorites... in combo with the DMM, ambient toans all day. I've needed a reverb pedal for a long time because the reverb in my classic 50 is weak as hell, I can't even hear it... yet my friends classic 50's reverb is nice and present. ANYWHO, I'm defintiely going to be playing with this set up for awhile before take out the noise making god machine and work in the Umiom and TAFM for my rockin fuzz tones.
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?
holy shit^ and^^^^^and ^^^^^^^^^ if i could find a bass player to put up with my shit id force him to use this^board hows that supernatural punkin ive been waitin to hear bout that thing i think theres a "what the f___ happened to the supernatural" thread
nice page damsels and fellers i was gonna say"secondary board?" but i think i could start another one and find some stuff wanted to fill it
Dude the color combos on the God Machine are great. Red LEDs and silver knobs on black? DROOL
How are you liking the DMM?? Just as good as the other one??
The DMM is pretty great. Definitely a noticeable difference but it still has that DMM vibe. the chorus/vibrato doesn't get as pitch bendy as the older 80s one, but it's bendy enough for sure. The delay decay and tone is very similar but it sort of sounds similar to the delay of the AD-9 I had for two seconds. And compared to the XO it's so much better having big ass knobs to tweak than dealing with those tiny xo ones.
mr. sound boy king wrote:
Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?
I love the Behemoth at the end, lol, no experience with the DTF but the Behemoth I know sounds best at the end of what I have. But... clipping voice 1 is where it's at :P
sylnau wrote:Have you tried to invert Behemoth II and DTF in your chain. I like my DTF at the end of the signal so much more. It make everything sound good.
Yeah, I flipped everything around in every way possible and decided I like the DTF going into the DPP because it kind of distorts the delay. The Behemoth at the end fattens everything up and takes away all the clank.
Dark Barn wrote:I love the Behemoth at the end, lol, no experience with the DTF but the Behemoth I know sounds best at the end of what I have. But... clipping voice 1 is where it's at :P
Clipping voice 2 sounds best at home on the small amp but I have a feeling I'll switch it to 1 at practice.
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?
Dude the color combos on the God Machine are great. Red LEDs and silver knobs on black? DROOL
How are you liking the DMM?? Just as good as the other one??
The DMM is pretty great. Definitely a noticeable difference but it still has that DMM vibe. the chorus/vibrato doesn't get as pitch bendy as the older 80s one, but it's bendy enough for sure. The delay decay and tone is very similar but it sort of sounds similar to the delay of the AD-9 I had for two seconds. And compared to the XO it's so much better having big ass knobs to tweak than dealing with those tiny xo ones.
just the reverb I was looking for. Spring, Plate, and Shine modes are my favorites... in combo with the DMM, ambient toans all day. I've needed a reverb pedal for a long time because the reverb in my classic 50 is weak as hell, I can't even hear it...
yet my friends classic 50's reverb is nice and present. ANYWHO, I'm defintiely going to be playing with this set up for awhile before take out the noise making god machine and work in the Umiom and TAFM for my rockin fuzz tones.
, on FlickrNSFW: show
