I always wanted the DF-2 for its synthetic pad "feedback" shiz, but knowing that you have to have the distortion on to use it is kind of
I'm interested in how this would interact with actual feedback (or an ebow [or interesting playing]). I can see it having potential.
EDIT : Nvm. Idiocy.
Quoth Fender...
Feedback level knob controls amountof feedback effect Tolerance knob controls thesensitivity Harmonic selector switch lets you choose among fundamental, upper-fifth and sub-octave harmonics in different preset combinations "Expression" pedal lets feedback fade in and out "Full Wet" switch simulatesbackward-recording effects
Feedback doesn't just mean that whatever note you're playing is doubled an octave higher as a synth tone. It should be an unpredictable and exciting mess that with time one comes to control and manipulate.
Yeah, BOSS, has already done that with the Super Distortion & Feedbacker and that other pedal.
Kids better listen to Pinkerton to find out what true feedback manipulation is. Or whatever else. Pinkerton is just my standby.