ETI did the demo - and the graphics (which look even better in person )
AWESOME. exactly what I wanted it to sound like and more. Unfortunately, my finances have gone down the drain thanks to a once in a lifetime deal. no offense Curt but an all original 1971 Fender Mustang comes first
Fuzzy Fred wrote: please excuse me. can we keep this discussion civil and about donkey fucking?
hbombgraphics wrote:Why does it have to be Digital, but with an analog soul and buffalo semen???
pretty cool! the tone knob is helpful, it could go for a little longer, but no volume drop (at least none i noticed) and it gets nice... i'd take it over Holy Grail any day i guess - if you wouldn't miss the spring, i recommend you to check it out
rfurtkamp wrote:Bastard stepchild of modern delay times/looping and a Lexicon Vortex would have me whipping out the credit card faster than a hooker at a coke convention.
I really want a Context, however due to financial purposes I got the Muza to try first. I am sure the context will happen at some point, the cathedral setting is the coolest verb sound I have heard in ages.
I may have become a corksniffer, but I like the Spring Chicken more hawt. Convince me otherwise? Never had exp with any of that stuff so I'm pretty open to suggestions and clips.
rfurtkamp wrote:Bastard stepchild of modern delay times/looping and a Lexicon Vortex would have me whipping out the credit card faster than a hooker at a coke convention.
To a point... it depends on the other pedals you have it chained with, but there is a strong likelihood it's going to mess with their shit. So strong it's probably not worth trying. Isolated outputs = answer to all probs. RRR is also the answer to all reverb needs. Except spring, but who cares about spring reverb. LONG HALL FTW! The plate reverbs are also great. But seriously. HALL!!
The reason is most often to do with the way digital pedals utilise current. Some affect other pedals, some don't. Depends on lots of stuff and is hard to predict beyond the fact that daisy chaining digital can be problematic.
Gone Fission wrote: ↑Thu Oct 24, 2024 2:21 pm
That’s quarter-assed at best.
I may have become a corksniffer, but I like the Spring Chicken more hawt. Convince me otherwise? Never had exp with any of that stuff so I'm pretty open to suggestions and clips.
It's for bass btw.
That's probs the corksniffer blinders.
You play bass? There's tone and blend knobs. /reasons
But for sers, I had the old malekko omnicon spring, and it was nice, but if there's anything about the sound you want to change, you can't (dem oscillations are so hawt though). The predelay and repeats knobbies are super useful in getting juuust the right reverb sound.
Plus you can make it sound like this if you wanted to: [youtube]http://www.youtube.com/watch?v=4aTagDSnclk[/youtube]
Plus reverse.
Plus
Tom Dalton wrote:You're a dumbass for making this thread to begin with.
magiclawnchair wrote:fuck that bitter old man
smile_man wrote:
ifeellikeatourist wrote:
Pedals aren't everything, yada, yada, yeah I know.
fuck you.
McSpunckle wrote:I ctrl+f'd mountain goats and decided we aren't friends anymore.
rfurtkamp wrote:Bastard stepchild of modern delay times/looping and a Lexicon Vortex would have me whipping out the credit card faster than a hooker at a coke convention.
rrr was one of the fahkers that was crazy loud on my board actually thought it was gonna have to go onespot cured it its at the end of an 8pedal onespot chain and likes it there
)
Congratulations!
