dubkitty wrote:reverb, then modulation. you need something that can make everything floaty so you have the option of in-your-face or other-side-of-the-sky. to me, reverb is to space what echo/delay is to time...it's part of the essential space-time alteration toolset. modulation and filtering is wonderful, but for me it's a secondary effect. it's happening within the audio environment the space-time effects create, and creating that environment is the essential thing for me.
I don't know what I just read but now I really want a reverb pedal.
dubkitty wrote:reverb, then modulation. you need something that can make everything floaty so you have the option of in-your-face or other-side-of-the-sky. to me, reverb is to space what echo/delay is to time...it's part of the essential space-time alteration toolset. modulation and filtering is wonderful, but for me it's a secondary effect. it's happening within the audio environment the space-time effects create, and creating that environment is the essential thing for me.
The GE is pretty much only subtle. It can't get really long ambient tails but it's a nice top over ambient delays. It does sound great when turned up! Don't think it doesn't. But I'm thinking about dropping my whole plans to go stereo and just get another GE.
zRobertez wrote:The GE is pretty much only subtle. It can't get really long ambient tails but it's a nice top over ambient delays. It does sound great when turned up! Don't think it doesn't. But I'm thinking about dropping my whole plans to go stereo and just get another GE.
maybe ask him if he could make you one?
Fuzzy Fred wrote: please excuse me. can we keep this discussion civil and about donkey fucking?
hbombgraphics wrote:Why does it have to be Digital, but with an analog soul and buffalo semen???
zRobertez wrote:Oh, yeah that would be perfect. I've never even thought about custom orders. But it just sounds so nice.
i think the GE side of the ghost disaster was tweaked for longer trails but I might be mistaken. But yeah man ask if he could make you one in a snazzy new mini enclosure. You'd have no problem making your money back if you don't like it
Fuzzy Fred wrote: please excuse me. can we keep this discussion civil and about donkey fucking?
hbombgraphics wrote:Why does it have to be Digital, but with an analog soul and buffalo semen???
zRobertez wrote:Now I'm excited to get home and email them! Although I'm wasting time on here on my phone. And you're set on rrrr?
most likely. It's been between the GE and the RRR and i've really been digging the Hall setting on the RRR on youtube demo's so i think that's the one.
Fuzzy Fred wrote: please excuse me. can we keep this discussion civil and about donkey fucking?
hbombgraphics wrote:Why does it have to be Digital, but with an analog soul and buffalo semen???
If you want to hear the GE a little more, it's in a couple of my earlier youtube videos. A shameless plug, there. But they're from about a year ago and I still don't know anything about recording so be warned. I've never used an RRR although I do love the sound of 100% wet reverb.
dubkitty wrote:reverb, then modulation. you need something that can make everything floaty so you have the option of in-your-face or other-side-of-the-sky. to me, reverb is to space what echo/delay is to time...it's part of the essential space-time alteration toolset. modulation and filtering is wonderful, but for me it's a secondary effect. it's happening within the audio environment the space-time effects create, and creating that environment is the essential thing for me.
