rfurtkamp wrote:Bastard stepchild of modern delay times/looping and a Lexicon Vortex would have me whipping out the credit card faster than a hooker at a coke convention.
I'm sure. I think ZVex consistently has the best sparkle-type finishes. My Wooly Mammoth has a similarly colored purple sparkle with some orange and yellow highlights. Really looks nice with some light on it.
Weight: 7.26 lbs Body: two piece ash in aged Inca Silver, which takes on a very cool subtle green hue.
Neck: maple with a rosewood slab fretboard, featuring vintage correct truss rod placement and fretboard rounding at the headstock -Width: 1.659" -Depth: 0.912" at the 1st & 0.970" at the 12th -Fretwire: 0.100" wide and 0.040" tall -Radius: 9.5" -Shape: A larger, hand filling C type with a significant amount of meat in the shoulder.
Pickups: Peter Florance Voodoo TE-60's
Other Notables: -Homemade clay dots -Marc Rutters steel compensated saddles -A cool brick red, NOS 50's Daka-Ware tophat switch tip. -50's NOS caps, one for the tone pot and one as a volume treble bleed circuit -Marc Rutters milled jack cup which accepts angled plugs -Handcut Bakelite pickguard
I want all three of these and can only afford (at the moment) one, which do you guys think? Assuming that I like all of them equally in playability, sound, etc.
The4455 wrote:I want all three of these and can only afford (at the moment) one, which do you guys think? Assuming that I like all of them equally in playability, sound, etc.
Don't fancy any of those. I'd go buy a Squier CV Strat instead. Same price range, much better guitars.
Good deals done with all these guys Canada, we put the "u" in satire
thanks!
