behndy wrote:hah! well, the RoboTalk's just a place holder... until... the Brain Freeze gets back... DAMN IT. it's KINDA 3 to 3 if you count the 2525 as a fuzz too? yah. the TimeLine is just fucking silly good. i haven't used it in any songs as a "traditional" delay, but there's one where the riff wouldn't work with out the Trem patch and one where the Ice MAKES a different riff. lol. i still blame you for constantly assuring me that the M9's delays wouldna be enough and Sousie for letting me borrow his when i kept saying "nah, thanks, not that into delays". you guys... rokk. so hard.
yerp. it was fun having a huge wall o' delay going into Goat'jork to be chopped up and sweeping the depth knob. but i like having the looper after everything.
I take great pleasure in being an enabler. Will just need to keep assuring you of the awesomeness that is delay at the start AND end of your chain.
How is that looper now that you have the prettiest princess MIDI thing?
super useful. i'm an idiot because i've been so busy with band stuff (fucking AWESOME practice last night. we did almost an entire song from scratch, sort of a simple structure but it works well, and finished off another song we were working on. having had like 4 practices where all three of us are there and actually getting shit done is SO much nicer than the stagnant boring pit that the last band i was in turned into. so. HAPPY.) that i haven't put enough time into the DMC3 or the BEF Pro to really get used to what they can do. and i need to play with the TimeLine more. it's just fucking DEEP. like ogre vaj. i'm really comfortable with the rest of my gear, but those need more delvings.
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..
