MSUsousaphone wrote:With the gain on 1 and crush on 0 and the onset up high....it's my favorite fuzz to date. With the crush on it gets crazy. I have to go change my panties thinking about it.
Word. That's the general setting I was rolling with (guitar not bass btw). So very good!
So I've gotten to play with it a little more (which I should really start doing before I post) and at a much lower volume (wife was sleeping) I was able to figure out why the treble switch was giving me so much trouble.....it's like when that thing is up, it's a 200% volume boost (or down is a 50% cut). It gets pretty insane with the switch and that with the huge volume boost was KABOOM. Once I got that figured out, I started getting some pretty killer sounds out of that portion of the pedal, too. Even got this one that's making me think my Prunes & Custard is becoming expendable. Very nice. More funds and room for more pedals.
Behn: Hey Fairfield....heheheheh.....I'm sending my US back......hehehheheh.....can you add...like...um....an expression jack...yeah...an expression jack....but....like....three times the size....on like...um....the top of the casing?
Fairfield: .......
Behn:
Fairfield: ......we can maybe put it on the bottom.....
Behn: Bottom? This ain't no Prunes & Custard! I want to face it.
Man...it was anti-pedalphile cat. He brought out the oddness. And then, when I would run out of oddness, I would go jam some more with the US and I would get all re-energized with the oddness. I would put the onset down low, strum a huge chord/create some crazy dissonance, and then "chase" that sputtering sound by moving the onset slowly to the right with the decay of the noise. Fun fun.
