What happens when...
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What happens when...
...you stack reverb pedals or amp and pedal reverb together?
It just occured to me that I know what stacked phasers, dirt, flangers,delays and choruses etc. sound like but not stacked reverb.
Google doesn't have much to say on the subject so I presume one of you pedal loaded bastards will have tried this at some point.
What happens? Deeper sound? MOAR reverb? Noise?
It just occured to me that I know what stacked phasers, dirt, flangers,delays and choruses etc. sound like but not stacked reverb.
Google doesn't have much to say on the subject so I presume one of you pedal loaded bastards will have tried this at some point.
What happens? Deeper sound? MOAR reverb? Noise?
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Re: What happens when...
Moar! Your verb gets verbed, so it's deeper and longer. And when it's a spring reverb in front, the little splash sound gets more splash. 

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Re: What happens when...
In general, MOAR. It's the best way to describe it.
The second reverb takes the guitar sound and first reverb's sound as one, and then adds its own reverb on top, effectively giving you a huge reverberating wall of sound.
Other options include analog delay with high repeats into a heavy delay with slightly lower blend, different types of reverb into one another, oh. And thirteen layered fuzz pedals into two delays and three reverbs.
The second reverb takes the guitar sound and first reverb's sound as one, and then adds its own reverb on top, effectively giving you a huge reverberating wall of sound.
Other options include analog delay with high repeats into a heavy delay with slightly lower blend, different types of reverb into one another, oh. And thirteen layered fuzz pedals into two delays and three reverbs.

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Re: What happens when...
Noise... wrote:Other options include analog delay with high repeats into a heavy delay with slightly lower blend
This is why I have the 2 delays that I do
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Re: What happens when...
It sounds good that's about all.
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Re: What happens when...
Jero wrote:Noise... wrote:Other options include analog delay with high repeats into a heavy delay with slightly lower blend
This is why I have the 2 delays that I do
I always keep at least two on my board just for that reason. It gives a reverb sound without the reverb, and sounds massive.
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Re: What happens when...
tame impala use 2 live goes from a spring to a super spacey krautrock vibe
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Re: What happens when...
Okay so instead of getting a cathy I get the RRR and when I want it to go SUPERMASSIVE POST ROCK AMBIENT OLOLOL I crank the spring reverb on my amp and combine it with a deep RRR?
That's very good to know indeed
That's very good to know indeed

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Re: What happens when...
Ghost Echo + some insane setting on the microverb = win.
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Re: What happens when...
I luuuvvvvv stacking reverbs.
I run my amp's reverb with my ghost echo and it sounds HUGE.
You cannot fail.
I run my amp's reverb with my ghost echo and it sounds HUGE.
You cannot fail.
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Re: What happens when...
try verb>delay>verb>delay>delay
sounds like heaven.
sounds like heaven.
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Re: What happens when...
Noise... wrote:Jero wrote:Noise... wrote:Other options include analog delay with high repeats into a heavy delay with slightly lower blend
This is why I have the 2 delays that I do
I always keep at least two on my board just for that reason. It gives a reverb sound without the reverb, and sounds massive.
Absolutely. Start turning up the amp verb too if I want to take it further.
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Re: What happens when...
Kevin Shields happens.
,':{I> ... your move, Trebek.
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Re: What happens when...
Old production trick, especially when you just had a couple cheap digital rack reverbs around and aspired to better sound. Reverb times get longer and digititis in the reverb tails becomes less pronounced. Short room times tend to combine better if you want a conventional effect. Around here, go as long as you can bear.
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