Here is my 'new' Fender Yngwie Malmsteen Stratocaster (2003 Candy Apple Red) that got around a week ago, acquired from my very close friend and neoclassical guitarist Dean Cascione in very near mint condition and he even included the Fender tweed case with red velvet lining. I re-adjusted the action, intonation, and pickup height to my liking. It plays real nice and didn't take too long to get used to the scallops. These are some pictures that Dean had sent me before shipping it. He played the crap out of this guitar at shows, clinics, and lessons. But lucky for me takes great care of his guitars. I got him to sign the back of the headstock too out of respect.
Steve
Guitar > MXR Custom Comp > Neo-Classic 741 Overdrive > Boss NS2 Noise Suppressor > VHT Special 6 Ultra Combo Amp Input > Amp Send > MXR Carbon Copy Analog Delay > Boss RC3 Loop Station > Amp Return
rbtr wrote:The scallops look so hard to handle! What's the purpose of them anyways?
They are mainly for looks and have become Yngwie's trademark, even though some others like Blackmore use partially scalloped necks too. But there is a big advantage with your fingers not touching the wood, giving more string control especially for bends and vibrato. Plus you tend to develop a lighter touch and more accurate precision always aiming for the frets and not the wood in between.
Guitar > MXR Custom Comp > Neo-Classic 741 Overdrive > Boss NS2 Noise Suppressor > VHT Special 6 Ultra Combo Amp Input > Amp Send > MXR Carbon Copy Analog Delay > Boss RC3 Loop Station > Amp Return
rbtr wrote:The scallops look so hard to handle! What's the purpose of them anyways?
They are mainly for looks and have become Yngwie's trademark, even though some others like Blackmore use partially scalloped necks too. But there is a big advantage with your fingers not touching the wood, giving more string control especially for bends and vibrato. Plus you tend to develop a lighter touch and more accurate precision always aiming for the frets and not the wood in between.
Billy Sheehan's bass's top couple fo frets are scalloped.
rbtr wrote:The scallops look so hard to handle! What's the purpose of them anyways?
They are mainly for looks and have become Yngwie's trademark, even though some others like Blackmore use partially scalloped necks too. But there is a big advantage with your fingers not touching the wood, giving more string control especially for bends and vibrato. Plus you tend to develop a lighter touch and more accurate precision always aiming for the frets and not the wood in between.
Wait...not the wood inbetween? I thought...but.... Am I doing something wrong?
How do you bend without touching the wood? I've never wondered about Yngwie's technique until seeing that fretboard.