I´m new here, this is my first entry. I really like your board - there seem to be really a lot of funny and interesting people, with a lot of knowledge on ilovefuzz and I really enjoyed reading the entries up to now.
Now to the actual reason for this post:
As a record collector and fan of 60s/70s Funk in general and recently especially fuzz-funk (from all over the world with all kinds of cool instruments, like f.e. e-sitar, used) stuff, I started wondering how some of those beloved Breakbeat-sounds are created. First, I have to say that I´m quite unexperienced in guitar playing and "gear science" yet, but willing and able to learn.
I will give you some examples of the sounds I would like to create with my guitar (a Greco Les Paul Mint Collection - amp is a Hughes&Kettner blue edition-30W, the only effect I own up to now is a Dunlop Cry Baby):
http://www.youtube.com/watch?v=4W5TViSUlJ4
http://www.youtube.com/watch?v=O9mxKoEepr0 (especially listen to the part from 02:48 onwards!)
My (Nube-
) questions are: What kind of fuzz/effect should I use best to create these sounds (help please!, I somehow don´t think that traditional fuzzes like the Fuzz Face or Fuzz Factory can really create these sounds in an authentic way)? Would an amp modeler (like Line6-models) be a better solution? Do I necessarily need a tube amp to really get the feeling right or will my Hughes&Kettner suffice?Also: What do you think, which effects/instruments (a Fender Telecaster and Gibson ES-335 (or so) are visible in the background picture of the video) were used to create the cool main riff used in Galt McDermot´s Natural Hair Bands´Ripped Open By Metal Explosions (I have really been trying to copy that for a long time - without real success, especially the kind of "hacked off" end of the notes he´s playing is a mystery to me):
http://www.youtube.com/watch?v=Prya-uVt0W0
So - I´m really looking forward to hearing your suggestions and thank you in advance!
thanks
Dude




As for fuzz, I mean, anything should be fine.. just don't got overboard.




. I happen to have Chicago 10 and 16 in my collection - they didn´t really attract my attention when I listened to them for the first time. But that doesn´t surprise me at all - like with a lot of bands it seems that their first records were their best ones and after that the funkiness and overall wickedness sloped downwards. It´s the same thing with U.F.O. if you know them - U.F.O. I+II with Mick Bolton on guitar have a unique style after they changed to Schenker they became a kind of heavy metal thing that´s not really interesting to me any more.
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