Rundown: Fairfield Circuitry Randy's Revenge Devi ZG Death By Audio Interstellar Overdriver Zvex Fuzz Factory Squarewave Parade Teaspoon Slight Frostwave Resonator Lightfoot Labs Goatkeeper Death By Audio Soundwave Breakdown Boss Dimension-C (Traded Away ) Devi God Zilla Devi OK (HOKUSAI!!!) Mid Fi Pitch Pirate Diamond Pedals Memory Lane 1 (Traded Away ) Death By Audio Supersonic FUZZ gun Frostwave Sonic Alienator Dwarfcraft The Great Destroyer Not Shown - Schumann Lion (Unobtainium ), Strymon El Capistan, Ibanez Standard Fuzz, Analogue Renaissance TS 303, EHX Metal Muff, a few others...
And with the invisible candies and all... Schumann Lion and the fucking INSANE Standard Fuzz. Those are both the kind of fuzzes You don't lend to Your old band mates even to studio since You'll get them back only after they are recording already the following album. I kid You not.
:::: Metal up Yöur Jazz! with FUZZIFERblack psychedelic doom ::::
Ugly Nora wrote:It's a sad day when Bassus Sanguinis becomes the voice of reason.
That's a custom pedal I bought from a fellow ilovefuzz... er made by Montgomery Appliances. It's a RAT clone, but with a Mosfet design instead of the standard OP-Amp or LED clipping that the Freakshow FX clone has. I like it!
AngryGoldfish wrote:That's a custom pedal I bought from a fellow ilovefuzz... er made by Montgomery Appliances. It's a RAT clone, but with a Mosfet design instead of the standard OP-Amp or LED clipping that the Freakshow FX clone has. I like it!
Ah, neat...so I'm guessing it's a louder, more 'high headroom' version of a standard RAT, and not quite as compressed?
It's definitely louder, and probably less compressed because it doesn't have as much gain. I can increase the level of my amp with this pedal like nothing else I've ever tried. I'd be fucked if my amp was a 5 watter or something. It's also smoother sounding; less raspy.
The Four Eyes is very unique. It is not always the most musical of pedals on its own, but when you actually pair it with drums, other guitars, etc. it comes alive. I love that about it.
I generally keep the settings at one specific spot, but the weird thing is, I can find similar tones with different knobs placed in different ways. It's a very unique and sometimes unpredictable circuit.
It sounds great, as well, when paired with other pedals.
The Four Eyes is very unique. It is not always the most musical of pedals on its own, but when you actually pair it with drums, other guitars, etc. it comes alive. I love that about it.
I generally keep the settings at one specific spot, but the weird thing is, I can find similar tones with different knobs placed in different ways. It's a very unique and sometimes unpredictable circuit.
It sounds great, as well, when paired with other pedals.
I love to push other dirt pedals with it's more extreme settings. But it really shines if you use it to shape your feedback with it. Damn, that is lovely!
I don't remember how the four eyes pushed other dirt pedals, but I know that it likes to be pushed. I'll mess around with my set-up and see what I can produce.
And defo, the feedback manipulation is an awesome feature. Put the feedback switch onto 100, apply an expression pedal to the input and you're away.
hclapp219 wrote:Here's my latest iteration. Just got the PT-2 in, which made everything much neater.
Ab-Synth -> Dream Crusher -> Tone Reaper -> Cleanness -> White Light -> M9
What do you use the Line 6 for? and personally i think you are ruining those nice butique pedals by using them in conjunction with line 6 equipment, just think how many more pedals you could have instead of one (okayish) digital multieffects!
From everything that I have heard about the line 6 it's not really an okayish pedal as much as it's an amazing pedal. Fully cutomizeable high quality modulation with a universal lfo and tap tempo are very tempting indeed.
It looks to me like he's using it for everything that's not dirt, which is what I would use it for too if I could afford it.
I don't like the line 6 company though, they come off as dickish
wfs1234 wrote:From everything that I have heard about the line 6 it's not really an okayish pedal as much as it's an amazing pedal. Fully cutomizeable high quality modulation with a universal lfo and tap tempo are very tempting indeed.
It looks to me like he's using it for everything that's not dirt, which is what I would use it for too if I could afford it.
I don't like the line 6 company though, they come off as dickish
I would dig a huge bank of modulation. So much cheaper than a bunch of individual boxes.