While i agree with what Blackened Soul says, i think it's a matter of choosing where do you want to start.
I mean, if you are not inspired, and expect your board to be an inspiring thing, then you should probably dismantle it and re-assmble in the opposite way, just to spice things up, then start to explore it and see if/what ideas come to you, and subsequentially modify the signal chain following those ideas. Another way could be to change some of the pedals you use the most with different stuff (i.e. changing the Life Pedal with a weird fuzz or else): this will probably force you to change your writing approach.
On the other hand, if you are inspired writing but don't feel like the board can add something to that, do what Blackened says, start finding a main sound that you're very satisfied with, and then think about what variations could serve your composition and add a second sound on top of it and so on.
I kinda fell in the same situation about a year ago: tons of pedals ending in a weird combination of option paralysys and constantly ending with the same sounds that got me bored, so i started downsizing the board. Once i returned to a smaller setup i decided to further force me to shift my perspective and took out of the board the whole drive section i've been using for years. Then built the smallest board i ever had. This helped me focused on writing and i'm currently trying different setups to find the balance that suits me the most in this new thing.
At the same time the downsizing thing gave me the chance to take some of the pedals left out and assemble a separate weird board wired in a totally unconvential way (to me) which is giving me a lot of fun jam time.
Also, place the CT5 first or second in chain, with just the dispatch master before it.
