So...anybody want to have a thread where we talk about ways to finish guitar projects other than your "standard industry practices"?
I'm ok with the old standbys, but when it comes to my projects, I don't feel good about failure

and there's no way I have the space/time/patience to make some of these perfect looking finishes that come on the commercial product. Plus, when it really gets down to it, I usually like finishes that don't look so...perfect, whether they're on guitars or what have you.
Also, I like the look of guitars that have been played/lived into a naturally beat-up appearance, but almost every time I look at an intentionally relic'd finish, I'm like

so I don't really see this thread as being about that whole thing. But on the other hand - I am not against scheming a finish that will be...more susceptible...to relicing sooner (because, unlike our would-be dictator, I am not under any delusion that I have unlimited time to enjoy the straight-edge relicing process).
So, right now I'm researching milk paint, and liking the no-VOC lifestyle it affords.
Got me a cedar tele body with nice grain.
Thinking about darkening that grain, then dyeing that body a certain color (oh, say...purple), then splatter painting some alt colors like black, white, lavender, pink that would show up under dings and abrasions, then laying a streaky daphne-blueish milk paint over all o'that (gotta pay tribute to my patroness

). But I'm wondering if I'm way overthinking it. Definitely not putting any grain filler in, nor much of any kind of clear coat over the whole mess. Still thinking about stamping the whole thing with purple lizards after it's done
Anybody know anything about adding a patina over a finish?
Anybody care to share?
"In a moment of unparalleled genius, Noel Parachute headed off this potential disaster by unplugging the microphone."