very sad about this. i didn't love everything he did, but without the Airplane (which was his idea in the first place) and the Matrix club he opened in 1965, before Bill Graham was ever a thing, the San Francisco Sound might never have made it out of the clubs to turn on the world. he was very talented, and even had the brass balls to jump off the stage at Altamont and try to stop the Hell's Angels (and got punched out for it!)
dubkitty wrote: he was very talented, and even had the brass balls to jump off the stage at Altamont and try to stop the Hell's Angels (and got punched out for it!)
Holy Cojones, I did not know that!
makes me admire & respect him that much more
dubkitty wrote:
here's my favorite Marty performance:
you can see the Altamont incident in the Gimme Shelter film. first he throws his tambourine at an Angel, then jumps into the crowd. after he came to the Angel, a lovely bloke called Animal, came backstage to apologize and when Marty said "fuck you" Animal punched him out a second time.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
Strange but true--home alone 2nite and couldn't stream 'Inland Empire' like I wanted, so I decided to watch 'Stranger Things' and right there in episode 1 in the scene where 11 sneaks into the kitchen @ the Benny's Burgers to scarf fries, what should be playing in the background but 'Watch Her Ride'? Then ol' Benny gets terminated to the tune of 'White Rabbit' major bummer....
[sorry for spoiier]
"In a moment of unparalleled genius, Noel Parachute headed off this potential disaster by unplugging the microphone."
after spending so many decades as a Deadhead i can't play anything faster than quarter-note values without sounding like Jerry, but i also spent a lot of time working out Jorma's Rev. Gary Davis stuff. it was Jack on "Somebody To Love" that got me interested in stringed instruments in the first place. apparently even Mingus dug Jack.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet