Different Applications of an Octave Pedal
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Different Applications of an Octave Pedal
I recently got a dead simple -/+ octave pedal and was experimenting with it using other effects. I wanted to see what else could be done with such a simple pedal. I placed it after a reverb and that was kinda cool, gave it a little shimmer effect. I put it in the FX loop of a delay and it ended up sounding like a Count to Five (kinda), each repeat got processed so the octaves kept going up. I mixed it with some super high gain distortion... It made it sound pretty heavy but it wasn't my favorite combo. I was also messing around with it on a drum machine, that had a lot of interesting results, haha. What do you guys and gals think? Got any other ideas for such a simple pedal, something interesting?
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Re: Different Applications of an Octave Pedal
Makes for an interesting doorstop.
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Re: Different Applications of an Octave Pedal
Fuzz into octave down is fun like a faux Blue Box, or vice versa if tracking issues. Or use it in the effects loop of a Super Ego.
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Re: Different Applications of an Octave Pedal
Well, which pedal was it? Tried vocals through an Octave Multiplexer once, it was awesome/terrible.affectperdals wrote:I recently got a dead simple -/+ octave pedal
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Re: Different Applications of an Octave Pedal
I tried it with my triple wreck and it sounded kinda cool with that high gain distortion. The lower octave tracking is kinda wonky when you go full wet though. It's a simple pedal, hard to compete with something like the HOG2, ya know?codetocontra wrote:Fuzz into octave down is fun like a faux Blue Box, or vice versa if tracking issues. Or use it in the effects loop of a Super Ego.
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Re: Different Applications of an Octave Pedal
My bad, it's the Monastery by Hungry Robotfrodog wrote:Well, which pedal was it? Tried vocals through an Octave Multiplexer once, it was awesome/terrible.affectperdals wrote:I recently got a dead simple -/+ octave pedal
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Re: Different Applications of an Octave Pedal
I think it makes a difference if the octave pedal is analog or digital.
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Re: Different Applications of an Octave Pedal
You mean in terms of latency?Chankgeez wrote:I think it makes a difference if the octave pedal is analog or digital.
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Re: Different Applications of an Octave Pedal
Well, not necessarily, but that too. I definitely appreciate the glitchiness of analog octave pedals.
I meant that digital pedals can sound harsh in a different way and/or react differently to things than analog. I like sticking an octave pedal farther along the chain than conventional wisdom dictates. Analog pedals can get pretty harsh that way. I wouldn't wanna imagine how nasty a digital octave'd sound in a similar placement.
I meant that digital pedals can sound harsh in a different way and/or react differently to things than analog. I like sticking an octave pedal farther along the chain than conventional wisdom dictates. Analog pedals can get pretty harsh that way. I wouldn't wanna imagine how nasty a digital octave'd sound in a similar placement.
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Re: Different Applications of an Octave Pedal
Feedback loops, synths, and other drone sources.
I like sloppy tracking regions as it follows a decaying note, but with a wet/dry so you can tuck lopsided motor boating into the fold of subtle texture.
I like sloppy tracking regions as it follows a decaying note, but with a wet/dry so you can tuck lopsided motor boating into the fold of subtle texture.
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Re: Different Applications of an Octave Pedal
The Monastary sounds very much like it uses an FV-1 for the octave shifting (I'd be interested to see gut shots).
Octave pedal before an envelope filter can be really cool.
For something more useful than rainbow-machine noises, try sticking it in a delay effects loop but with the feedback set to zero and the pedal set for an octave up only. Set the delay time to a dotted rhythm and play in straight time. You'll get cool octave up counterpoint on the off-beats between your playing. That's the only way I can make pitch-shifting delays usable tbh.
If you have a little mixer pedal or even a separate amp, you can get great stuff by splitting your signal and putting some much heavier modulation effects on the pitch shifted signal. A reverb's clean guitar paired with a vibrato'd and tremolo'd octave up could be way more interesting than a shimmer verb if you get the settings right.
Octave pedal before an envelope filter can be really cool.
For something more useful than rainbow-machine noises, try sticking it in a delay effects loop but with the feedback set to zero and the pedal set for an octave up only. Set the delay time to a dotted rhythm and play in straight time. You'll get cool octave up counterpoint on the off-beats between your playing. That's the only way I can make pitch-shifting delays usable tbh.
If you have a little mixer pedal or even a separate amp, you can get great stuff by splitting your signal and putting some much heavier modulation effects on the pitch shifted signal. A reverb's clean guitar paired with a vibrato'd and tremolo'd octave up could be way more interesting than a shimmer verb if you get the settings right.
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Re: Different Applications of an Octave Pedal
Imo digital octave sounds best after gain stages, analog beforeChankgeez wrote:Well, not necessarily, but that too. I definitely appreciate the glitchiness of analog octave pedals.
I meant that digital pedals can sound harsh in a different way and/or react differently to things than analog. I like sticking an octave pedal farther along the chain than conventional wisdom dictates. Analog pedals can get pretty harsh that way. I wouldn't wanna imagine how nasty a digital octave'd sound in a similar placement.
But yeah same thing but wwaaaaay different
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Re: Different Applications of an Octave Pedal
Octaves sound really good with reverbs, Flanders, and distortions.JonnyAngle wrote:Imo digital octave sounds best after gain stages, analog beforeChankgeez wrote:Well, not necessarily, but that too. I definitely appreciate the glitchiness of analog octave pedals.
I meant that digital pedals can sound harsh in a different way and/or react differently to things than analog. I like sticking an octave pedal farther along the chain than conventional wisdom dictates. Analog pedals can get pretty harsh that way. I wouldn't wanna imagine how nasty a digital octave'd sound in a similar placement.
But yeah same thing but wwaaaaay different
I haven’t had great luck with envelope filters>octaves
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Re: Different Applications of an Octave Pedal
Hey, man, don't be shittin' on Rainbow Machine noises!Bartimaeus wrote:
For something more useful than rainbow-machine noises...
Flanders?JonnyAngle wrote: Octaves sound really good with reverbs, Flanders, and distortions.
Yes, especially in Bruges.
Although, I've been told they also sound really good in Wallonia.
I like analog octaves both before and after dirt. Actually, sandwiched between dirts is the best. I think it's more difficult to get good sounds with digital octaves without messing around a lot, but maybe that's just me. Seems it takes me more work to get them sounding really nice. I feel like they need to be more processed by other effects or something.
I like both octave > envelope filter & envelope filter > octave. Depends on what I'm wanting to hear. The latter has the potential to get real cray.
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Re: Different Applications of an Octave Pedal
Chankgeez wrote:
Flanders?

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