DL-8 is two sonically separate loops that go at the same time, for the same time. The PSM-5s are just effect loops, so each one goes in and out of its individual side of the stereo looper. When either of the PSM-5 signal paths are deselected, they stop sending input audio to the DL-8, and also stop sending the output of the DL-8 to the amp. Kick it on again and it both plays back that side of the loop and opens the channel to record again if you stomp on the DL-8.tabcantab wrote:I don't fully understand this, but I like it. Haven't really explored the stereo/weird dual signal possibilities with the DL-8, but I think I need to now.John wrote:
Here's what the fuck is going on: the PSM-5 effects loop pedals go through their own side of the stereo DL-8, set to loop mode. In parallel operation I can send two different signals, for example a drum machine in one and a noise rig in the other. When I record a loop the two instruments have their own tracks that are completely synced up, and I can punch them in and out individually with the PSM-5s because they bypass the DL-8 completely. In series operation, I can send a clean signal, bass for example, through one loop, sample it, and then send that to my bass effects board. That effected signal will go through the other side of the loop, get sampled with all the jiggy sounds of my bass board, and just like in parallel mode, not only are the two samples looping in sync, but i can also punch each one in and out. I have always been bummed with loopers because you either get a clean loop going through effects or an effected loop you can't alter, but not both.
Side note: what I love about the Digitech Digidelay and DL-8 is that in Loop mode, you hold the pedal down while recording, and release to begin the loop. I find that less clumsy than tapping the pedal to begin and end the sample. No other loopers seem to function this way, though they all have more memory than these two.