I'd hang onto that thing. I have a drip edge Twin and love it, but I wish it was a Super.
I mean really... it's not that big, it's not that heavy, and they're not that fragile. Plus, one thing that an old amp like that doesn't really have is unfixable problems, which you can't always say about what you'll find inside of a JC.
I know plenty of people will disagree with me on that, but
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coldbrightsunlight wrote:Yes I am a soppy pop person at heart I think with noises round the edge
Interesting, is it possible to mute or easily disconnect the speakers when you record with the lineout?
This course, a perpetual alternation of determining what is true, and then setting aside this determining, constitutes, strictly speaking, the steady everyday life and activity of perpetual consciousness, a consciousness which fancies itself to be moving in the realm of truth.
It doesn't look like it, I'd be afraid running it without a load as well. Perhaps you could run the phones out to a TRS/Y cable and record stereo that way? Something I'm very curious about.
This course, a perpetual alternation of determining what is true, and then setting aside this determining, constitutes, strictly speaking, the steady everyday life and activity of perpetual consciousness, a consciousness which fancies itself to be moving in the realm of truth.
Yeah, no load should be no issue whatsoever. Chances are record stereo is as simple as put in dummy 1/4" adapter (assuming phones shut off speakers like normal SS amp) and use the line out.
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rfurtkamp wrote:Yeah, no load should be no issue whatsoever. Chances are record stereo is as simple as put in dummy 1/4" adapter (assuming phones shut off speakers like normal SS amp) and use the line out.
Ah, I bet that'd work.
This course, a perpetual alternation of determining what is true, and then setting aside this determining, constitutes, strictly speaking, the steady everyday life and activity of perpetual consciousness, a consciousness which fancies itself to be moving in the realm of truth.