Chankgeez wrote:Good choice of source material there, UG.

Dheuthymos wrote:Very nice, UG! Any idea what "patches" you were using? I'm trying to at least locate the mode for granular sound splicing, so i can lock it in as opposed to just sound generation.
mr. howse, when questioned, was very nice but ultimately could be summed up with "best of luck"

no idea

I just randomly touched/rubbed those two patch cables onto it until it started to respond, then I started recording. its always a crapshoot for me, the manual says a lot of stuff and even has names for the pads but I never really sat down and tried to make sense of it.
couple things I have learned, when I find some touch sequence that I like the response of, and then go off in some other direction i can usually get back to that response over and over until/unless it starts to making its own noises and then i have to just power off and start over. starting over and doing that same sequence tends to get me back to similar territory. another thing is getting my fingertips wet before touching the pads can lead to some really interesting results, i can touch out, or smear a pattern on different pads and as the water evaporates its kinda like still having my fingers still on the pads with less and less pressure. i really like experimenting with that.
i enjoy the random unknown of it all, but touching a patch cable between pads seems to get a response more often and reliably than using my fingertips....so if i wanted to really get a better idea of what might do what, i would sit down for awhile with a couple patch cables and play connect the pads. oh yeah, touching those pads on the lower deck also does stuff some of the time, and even those little pads on the left and right of the power switch can be used to make patches from...as well as from those little soldered ends sticking up on the top deck, i put one end of a cable there and the other to pads.