TOMKAT_BKLYN wrote:jrfox92 wrote:I wonder if he'd be open to sharing the schematics of the Armageddon and Evil Filter (assuming he has them).
I hope Knobs manages to get in on the tourbox and do a demo or two.
In a recent interview video I saw with him, Oliver was showing the final designs for the Evil Filter enclosure. Maybe it'll be coming out next.
[youtube]http://www.youtube.com/watch?v=5RPo2Te_f4Q[/youtube]
My band played a show recently with aptbs and I got a pic of their boards if you wanna see some old old versions of their stuff.
Dude, yes, please.
I took screen shots of the Evil Filter schematic and it seems pretty straightforward so I'll probably go out and buy the parts to breadboard it next time I get paid.
I want more schematics, though, just so I have a second opinion and because their pedal designs change every couple of seconds.
Also, I had a friend who played with them a few months back in Dallas, but I forgot to ask him to try to get info and the other dude I knew who went to the show forgot to ask them all of my existential questions about pedals.
Uncle Grandfather wrote:The older evil filter was a low pass, high pass, band pass eq with ring mod and fuzz and an expression jack that controlled?
The "ring" thing is actually just a resonance control. People keep saying it has a ring mod, but it's actually a straight up State Variable Filter. It's basically just a synth module based on this obscure IC and set for 9V.
I haven't seen anything about the fuzz that was later added along with it. From what I've managed to glean there were two different fuzzes, a simple one that looks a lot like the Harmonic Transformer minus the harmonic shape and a fuzz with 6 different potential waveforms.
Uncle Grandfather wrote: I've always wondered if their earlier pedals were derivative, what with all of their current pedals seemingly original designs. I just scored their octave clang and it's a pretty unique take on the octave fuzz.
From what I've seen the Octave clang is a mixture of the Jawari and Bobtavia.
Also, it looks like a lot of their pedals are just stepping stones to the current stuff. The current Fuzz War appears to be an updated version of the older Armageddon minus the Sound Saw filter control, the Apocalypse is the newer Armageddon which is a mixture of a few different fuzzes and harmonic voicings, the Echo Dream 2 can be traced back to the Echo Master and probably even the Space Cave (though I have no idea), etc.
I like that one can actually trace their growing as a company and as builders through all their various forms of the same exact pedal.
Then again, maybe I'm just obsessed.
